LAZLO MOHOLY-NAGY -- WALTER GROPIUS (ed.) Staatliches Bauhaus in Weimar 1919-1923 . Weimar and Munich: Bauhaus, [1923]. Square 4° (243 x 243mm). Illustrated throughout. Original black boards, printed in red and blue. Provenance : Herwin Schaefer (small blind stamp on front endpaper). FIRST EDITION. A REMARKABLY FINE COPY OF THIS CELEBRATED WORK ILLUSTRATING THE FAMOUS SCHOOL'S INNOVATIONS TO DATE. Moholy-Nagy began running the photography course in 1923 and the Bauhaus quickly rose to the forefront of experimentation in European modernist photography. With lay-out by Lazlo Moholy-Nagy, cover design by Herbert Bayer and contributions by Walter Gropius Paul Klee Wassily Kandinsky, Lyonel Feininger Gertrud Grunow, Lazlo Moholy-Nagy, Oskar Schlemmer Johannes Itten Georg Muche Lothar Schreyer Gerhard Marcks and others. The 300 copies in English and 300 copies in Russian announced in the colophon were never published.
LAZLO MOHOLY-NAGY -- WALTER GROPIUS (ed.) Staatliches Bauhaus in Weimar 1919-1923 . Weimar and Munich: Bauhaus, [1923]. Square 4° (243 x 243mm). Illustrated throughout. Original black boards, printed in red and blue. Provenance : Herwin Schaefer (small blind stamp on front endpaper). FIRST EDITION. A REMARKABLY FINE COPY OF THIS CELEBRATED WORK ILLUSTRATING THE FAMOUS SCHOOL'S INNOVATIONS TO DATE. Moholy-Nagy began running the photography course in 1923 and the Bauhaus quickly rose to the forefront of experimentation in European modernist photography. With lay-out by Lazlo Moholy-Nagy, cover design by Herbert Bayer and contributions by Walter Gropius Paul Klee Wassily Kandinsky, Lyonel Feininger Gertrud Grunow, Lazlo Moholy-Nagy, Oskar Schlemmer Johannes Itten Georg Muche Lothar Schreyer Gerhard Marcks and others. The 300 copies in English and 300 copies in Russian announced in the colophon were never published.
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