Edo period (1615-1868) or Meiji era (1868-1912), 1845-1895 Comprising three oban tate-e and an oban tate-e triptych; the first from the series E kyodai mitate sanju bokkasen (Pictorial Mirror Stands Matched with 30 Selected Flowers), 1845, published by Joshuya Kinzo; the second entitled Ogora Sonja (Saint Ogora Says Pride Is Unprofitable), from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), circa 1845, published by Enshuya Matabei, censor's seal Mura; both signed signed Ichiyusai Kuniyoshi ga; the right sheet only from a triptych entitled Shomotsu (Calligraphy), from the series Furyu haru no kyo (Fashionable Amusements of Spring), 1847-1852, published by Izumiya Ichibei (Kansendo), censor's seals Fuku, Muramatsu, signed Kochoro Toyokuni ga; the last, 1895, published by Naraha Shuhei, signed Yoshu Chikanobu (4) 14 5/8 x 9 3/4in (37.2 x 24.7cm) each approximately
Edo period (1615-1868) or Meiji era (1868-1912), 1845-1895 Comprising three oban tate-e and an oban tate-e triptych; the first from the series E kyodai mitate sanju bokkasen (Pictorial Mirror Stands Matched with 30 Selected Flowers), 1845, published by Joshuya Kinzo; the second entitled Ogora Sonja (Saint Ogora Says Pride Is Unprofitable), from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), circa 1845, published by Enshuya Matabei, censor's seal Mura; both signed signed Ichiyusai Kuniyoshi ga; the right sheet only from a triptych entitled Shomotsu (Calligraphy), from the series Furyu haru no kyo (Fashionable Amusements of Spring), 1847-1852, published by Izumiya Ichibei (Kansendo), censor's seals Fuku, Muramatsu, signed Kochoro Toyokuni ga; the last, 1895, published by Naraha Shuhei, signed Yoshu Chikanobu (4) 14 5/8 x 9 3/4in (37.2 x 24.7cm) each approximately
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