Utagawa Kuniyoshi (1797-1861) Utagawa Toyokuni II (1775-1835) Utagawa Kunisada (1786-1864)
Utagawa Kuniyoshi (1797-1861)
Utagawa Kuniyoshi (1797-1861) Utagawa Toyokuni II (1775-1835) Utagawa Kunisada (1786-1864) Seven prints: a beauty holding two hand-mirrors to see the back of her neck, a fishing scene in the reserve above, signed Ichiyusai Kuniyoshi ga ; second, a Tokaido landscape of a man and woman traveling, signed Chooro Kuniyoshi ga ; a sheet from a polyptych of a kneeling actor, signed Ichiyusai Kuniyoshi ga ; four prints of beauties from various series, signed Toyokuni ga --generally good impressions, most faded, some trimmed, soiled, stained, worming, rubbed, damages oban tate-e : 37.7 x 25.5cm. or 37 x 24.3cm., each approx. (7)
Utagawa Kuniyoshi (1797-1861) Utagawa Toyokuni II (1775-1835) Utagawa Kunisada (1786-1864)
Utagawa Kuniyoshi (1797-1861)
Utagawa Kuniyoshi (1797-1861) Utagawa Toyokuni II (1775-1835) Utagawa Kunisada (1786-1864) Seven prints: a beauty holding two hand-mirrors to see the back of her neck, a fishing scene in the reserve above, signed Ichiyusai Kuniyoshi ga ; second, a Tokaido landscape of a man and woman traveling, signed Chooro Kuniyoshi ga ; a sheet from a polyptych of a kneeling actor, signed Ichiyusai Kuniyoshi ga ; four prints of beauties from various series, signed Toyokuni ga --generally good impressions, most faded, some trimmed, soiled, stained, worming, rubbed, damages oban tate-e : 37.7 x 25.5cm. or 37 x 24.3cm., each approx. (7)
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