Wilde (Oscar)The Sphinx, one of 1000 copies, illustrated by Alastair, frontispiece and 10 plates with captioned tissue guards, 2 other plates tipped in to front and rear, printed in teal and black, endpapers browned, ink ownership inscription to pastedown, occasional light offsetting to tissue guards, original pictorial buckram, gilt, marked and discoloured but still bright, lightly rubbed, The Bodley Head, 1920; Le Portrait de Dorian Gray, translated by Edmond Jaloux et Félix Frapereau, illustrations by J.-E. Laboureur, Paris, Societe d'edition "Le Livre", original wrappers, spine broken, marked, chipped and torn at edges, 1928; Salomé, illustrations by Lobel-Riche, Paris, edition d'art Devambez, loose in original wrappers as issued, glacine dust-jacket, preserved in half-morocco boards (upper board detached, rubbed), 1930, large 4to & 8vo (3)
Wilde (Oscar)The Sphinx, one of 1000 copies, illustrated by Alastair, frontispiece and 10 plates with captioned tissue guards, 2 other plates tipped in to front and rear, printed in teal and black, endpapers browned, ink ownership inscription to pastedown, occasional light offsetting to tissue guards, original pictorial buckram, gilt, marked and discoloured but still bright, lightly rubbed, The Bodley Head, 1920; Le Portrait de Dorian Gray, translated by Edmond Jaloux et Félix Frapereau, illustrations by J.-E. Laboureur, Paris, Societe d'edition "Le Livre", original wrappers, spine broken, marked, chipped and torn at edges, 1928; Salomé, illustrations by Lobel-Riche, Paris, edition d'art Devambez, loose in original wrappers as issued, glacine dust-jacket, preserved in half-morocco boards (upper board detached, rubbed), 1930, large 4to & 8vo (3)
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