Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Emile Gilioli (1911-1977) La Sulamite (1949) Edition of 5 Polished bronze, H. 37.4 cm (excl. stone base) Provenance: - Galerie Veranneman, Brussels, 1968 - Private collection, thence by descent - Auction Christie's, Amsterdam, 16 dec 2014, lot 75 - Private collection, the Netherlands Note: Emile Gilioli was a French-Italian sculptor and significant representative of the abstract French sculpture in the 1950s. In 1929, while working as a blacksmith, Gilioli began taking evening classes at the Ecole des Arts Decoratifs in Nice, studying under the sculptor Chiavacci. Later, in 1931, he enrolled at the Ecole of des Beaux-Arts, where he was a student of Jean Bouche. Gilioli’s work is characterized by fluid lines, abstract forms, and a harmonious blend of tradition and modernity. His creations were deeply influenced by Archaic Greece, Ancient Egyptian statuary and Cubism. He often depicted the human figure in a stylized manner, capturing the essence of movement and emotion with remarkable grace. Gilioli worked with various materials, including marble, metal, painted iron, and polished bronze. The remarkable thoroughness of his works showcases his inner craftmanship. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Hans van Hoek (1947) Buddha beeld met zwart water (Buddha Statue with Black Water) (2007) Signed twice and dated 29-8-07 and 14-11-07 and annotated on the reverse Oil on canvas in artist's frame, 204 x 219 cm Provenance: Acquired directly from the artist, Helmond, 2008 * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Hans van Hoek (1947) Buddha met vaas (Buddha with Vase) (1998-2000) Signed, dated 98-2000 and annotated on the reverse Oil on canvas in artist's frame, 175 x 204 cm Provenance: - Collection d'Art, Amsterdam, 2000 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Hans van Hoek (1947) Vase with Stocks (1988-1989) Signed and dated '88 and '89 on the reverse Oil on canvas in artist's frame, 185 x 196 cm Provenance: - Waddington Galleries, London (inv.no. B20884) - Collection d'Art, Amsterdam, 1992 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
John Zinsser (1961) "Inside Trust" (1999) Signed, titled and dated 1999 on the overlap Artist's stamp with date 2006 on the stretcher Alkyd enamel and oil on canvas, 101.9 x 91.7 cm Provenance: - John Gibson Gallery / Von Lintel Gallery, New York City, 2006 - Corporate collection, the Netherlands Note: At the heart of Zinsser's artistic technique lies a harmonious fusion of enamel and oil paints. While these mediums traditionally have distinct properties and applications, Zinsser skilfully marries them on canvas, creating a unique visual language. Enamel, known for its glossy finish and durability, contrasts with the depth and texture of oil paints. T