Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Anton Martineau (1926-2017) Loli Flores, Sevilla Signed lower right Signed and titled on the reverse Oil on canvas, 170.3 x 99.9 cm Note: In Martineau's work, spontaneous drawing plays a significant role. Subjects primarily include: tango, dancing couples, eroticism, the drama of love and death, absurd portraits, and still lifes. Women and the feminine dominate the masculine in his emotionally charged work. His lyrical style was sometimes associated with the expressionism of Cobra and in particular the artist Lucebert. He was befriended with Karel Appel, Corneille, and the poet Gerrit Kouwenaar, as well as Jan Sierhuis, who once advised him to create less sexually explicit work in order to sell more... Due to his desire to follow a completely unique path, he didn't seek close alignment with Cobra. However, the development of his work in the mid-1960s coincided with the zeitgeist of the Provo movement and the sexual revolution. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ciarán Murphy (1978) Temperature (Desert scape) (2009) Signed and dated 2009 on the reverse Oil on stretched paper over board, 44.1 x 50.1 cm Provenance: - Grimm Gallery, Amsterdam, 2010 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ciarán Murphy (1978) Lightning (2007) Signed and dated 2007 on the reverse Oil on stretched paper over board, 31.3 x 36.8 cm Provenance: - Grimm Gallery, Amsterdam, 2007 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Literature: Exhibition catalogue, Ciarán Murphy, The Douglas Hyde Gallery, Dublin, 2010, ill. 2 Exhibited: The Douglas Hyde Gallery, Dublin, Ciarán Murphy, 29 January - 16 March 2010 * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Daniel Richter (1962) Ohne Titel (2009) Signed with initials and dated 09 lower right Oil on paper, 41.9 x 59.2 cm Provenance: - Grimm Gallery, Amsterdam - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Note: Daniel Richter, the German artist, rose to prominence in the 1990s, making a transition from the music industry where he initially embarked on his career designing posters and record sleeves for various bands. His early foray into fine art was marked by abstract paintings characterized by vivid, graffiti-like forms intertwined with intricate ornamentation. The shift towards incorporating figures into his works occurred around 2002, drawing inspiration from reproductions found in newspapers or history books. These figures are brought to life with bright colours, creating an atmosphere of heightened awareness and artifi