LOUIS AUDEMARS. A FINE, LARGE AND VERY UNUSUAL 18K PINK GOLD OPENFACE TWO TRAIN QUARTER HOUR AND STRIKING MUSICAL CLOCKWATCH
SIGNED LOUIS AUDEMARS AU BRASSUS, CIRCA 1850/1860
LOUIS AUDEMARS. A FINE, LARGE AND VERY UNUSUAL 18K PINK GOLD OPENFACE TWO TRAIN QUARTER HOUR AND STRIKING MUSICAL CLOCKWATCH SIGNED LOUIS AUDEMARS AU BRASSUS, CIRCA 1850/1860 Gilt-finished two-train cylinder movement, bi-metallic compensation balance, bi-metallic compensation curb on the regulator, quarter repeating and en passant hour striking on two polished steel hammers onto a gong, musical pin barrel activated by a sliding lever in the band, gold cuvette, white enamel dial, Roman numerals, gold moon-style hands, engine-turned circular case, repeating activated by depressing a button in the pendant, music and striking stop/start levers underneath the cuvette, cuvette signed 61mm diam.
LOUIS AUDEMARS. A FINE, LARGE AND VERY UNUSUAL 18K PINK GOLD OPENFACE TWO TRAIN QUARTER HOUR AND STRIKING MUSICAL CLOCKWATCH
SIGNED LOUIS AUDEMARS AU BRASSUS, CIRCA 1850/1860
LOUIS AUDEMARS. A FINE, LARGE AND VERY UNUSUAL 18K PINK GOLD OPENFACE TWO TRAIN QUARTER HOUR AND STRIKING MUSICAL CLOCKWATCH SIGNED LOUIS AUDEMARS AU BRASSUS, CIRCA 1850/1860 Gilt-finished two-train cylinder movement, bi-metallic compensation balance, bi-metallic compensation curb on the regulator, quarter repeating and en passant hour striking on two polished steel hammers onto a gong, musical pin barrel activated by a sliding lever in the band, gold cuvette, white enamel dial, Roman numerals, gold moon-style hands, engine-turned circular case, repeating activated by depressing a button in the pendant, music and striking stop/start levers underneath the cuvette, cuvette signed 61mm diam.
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
