Edward Ruscha American, b. 1937 Thinking the Same, 1974 Signed Edward Ruscha, dated 1974 and inscribed D229 on the reverse Pastel on paper 22 3/8 x 28 3/4 inches (56.83 x 73.02 cm) Provenance: Leo Castelli Gallery, New York Private collection Literature: Edward Ruscha, Guacamole Airlines and Other Drawings by Edward Ruscha, New York: Abrams, 1980, pl. 37, color illus. Edward Ruscha, They Called Her Styrene, London: Phaidon, 2000, n.p., color illus. Lisa Turvey, Edward Ruscha: Catalog Raissonne of the Works on Paper V1: 1956-1976, New York: Gagosian Gallery, 2014, p. 34, p. 375, color illus. Catalog no. D 1974.28 C Estate of Susanne Schnitzer
Two light scuffs at lower left, one 4 inches, the other 2 inches. Two light scuffs top center, one 3 inches, the other 1 1/2 inches. Stain on verso, center to left at bottom edge 1 3/4 x 17 inches. Minor toning along edges, verso. Stain at bottom verso is faintly visible on recto - the work was professionally restored, stain lightened and was further minimized by adding raw pigment. A spot of foxing at center top verso.
Edward Ruscha American, b. 1937 Thinking the Same, 1974 Signed Edward Ruscha, dated 1974 and inscribed D229 on the reverse Pastel on paper 22 3/8 x 28 3/4 inches (56.83 x 73.02 cm) Provenance: Leo Castelli Gallery, New York Private collection Literature: Edward Ruscha, Guacamole Airlines and Other Drawings by Edward Ruscha, New York: Abrams, 1980, pl. 37, color illus. Edward Ruscha, They Called Her Styrene, London: Phaidon, 2000, n.p., color illus. Lisa Turvey, Edward Ruscha: Catalog Raissonne of the Works on Paper V1: 1956-1976, New York: Gagosian Gallery, 2014, p. 34, p. 375, color illus. Catalog no. D 1974.28 C Estate of Susanne Schnitzer
Two light scuffs at lower left, one 4 inches, the other 2 inches. Two light scuffs top center, one 3 inches, the other 1 1/2 inches. Stain on verso, center to left at bottom edge 1 3/4 x 17 inches. Minor toning along edges, verso. Stain at bottom verso is faintly visible on recto - the work was professionally restored, stain lightened and was further minimized by adding raw pigment. A spot of foxing at center top verso.
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