Attributed to Edward Burne-Jones (1833-1898) Three figural pre-Raphaelite stained leaded glass windows England, c. 1850s One rectangular and two square segmented leaded glass panels, each centered with a stained glass image of a female poetic figure including Roseline by Thomas Lodge, Thekla by Coleridge, and Oriana by Tennyson, with a portion of poetic inscription beside the figure, the images surrounded by geometric segments of colorless glass with colored borders, (one segment cracked), 14 3/4 x 22 3/4, two 14 3/4 x 14 3/4 in. Provenance: Reportedly from a New York Library. Literature: See The Stained Glass of William Morris and His Circle, by A. Charles Sewter, Yale University Press, New Haven and London, 1974, p. 160 for sketches for similar windows, and a similar window by Burne-Jones.
Attributed to Edward Burne-Jones (1833-1898) Three figural pre-Raphaelite stained leaded glass windows England, c. 1850s One rectangular and two square segmented leaded glass panels, each centered with a stained glass image of a female poetic figure including Roseline by Thomas Lodge, Thekla by Coleridge, and Oriana by Tennyson, with a portion of poetic inscription beside the figure, the images surrounded by geometric segments of colorless glass with colored borders, (one segment cracked), 14 3/4 x 22 3/4, two 14 3/4 x 14 3/4 in. Provenance: Reportedly from a New York Library. Literature: See The Stained Glass of William Morris and His Circle, by A. Charles Sewter, Yale University Press, New Haven and London, 1974, p. 160 for sketches for similar windows, and a similar window by Burne-Jones.
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.jpg "Quelle: Christie's")
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