ANDRES, Juan, alfaqui of Jativa (c.1487-1515)]. Manuscript copy, [Italy, 18th C], of Andrés's Opera chiamata confusione della setta Machumetana , an Italian translation by Domenico di Gaztelu, and of Samuel Maroccanus, Contra Hebraeos , transcribed by a single hand from printed editions (in each case Venice: Bartholomeo detto l'Imperadore, 1545), 136 pages, 4to (195 x 134mm) (a few wormholes and tears, minor rodent damage, more marked in last ten leaves), reused ?18th-century limp vellum (soiled and worn, rodent damage to lower cover).
ANDRES, Juan, alfaqui of Jativa (c.1487-1515)]. Manuscript copy, [Italy, 18th C], of Andrés's Opera chiamata confusione della setta Machumetana , an Italian translation by Domenico di Gaztelu, and of Samuel Maroccanus, Contra Hebraeos , transcribed by a single hand from printed editions (in each case Venice: Bartholomeo detto l'Imperadore, 1545), 136 pages, 4to (195 x 134mm) (a few wormholes and tears, minor rodent damage, more marked in last ten leaves), reused ?18th-century limp vellum (soiled and worn, rodent damage to lower cover). A transcription of two polemical works by converts, one from Islam, the second from Judaism, each seeking to confound their former co-religionists.
ANDRES, Juan, alfaqui of Jativa (c.1487-1515)]. Manuscript copy, [Italy, 18th C], of Andrés's Opera chiamata confusione della setta Machumetana , an Italian translation by Domenico di Gaztelu, and of Samuel Maroccanus, Contra Hebraeos , transcribed by a single hand from printed editions (in each case Venice: Bartholomeo detto l'Imperadore, 1545), 136 pages, 4to (195 x 134mm) (a few wormholes and tears, minor rodent damage, more marked in last ten leaves), reused ?18th-century limp vellum (soiled and worn, rodent damage to lower cover).
ANDRES, Juan, alfaqui of Jativa (c.1487-1515)]. Manuscript copy, [Italy, 18th C], of Andrés's Opera chiamata confusione della setta Machumetana , an Italian translation by Domenico di Gaztelu, and of Samuel Maroccanus, Contra Hebraeos , transcribed by a single hand from printed editions (in each case Venice: Bartholomeo detto l'Imperadore, 1545), 136 pages, 4to (195 x 134mm) (a few wormholes and tears, minor rodent damage, more marked in last ten leaves), reused ?18th-century limp vellum (soiled and worn, rodent damage to lower cover). A transcription of two polemical works by converts, one from Islam, the second from Judaism, each seeking to confound their former co-religionists.
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