Beschreibung:

Comprising: 1. Meyer, A. 20 MELANESIAN WORKS OF ART. Paris, Galerie Meyer, 1989. 20 pages (text in English and French). 20 b/w and 4 color photographs. 2. ABHANDLUNGEN UND BERICHTE DES STAATLICHEN MUSEUMS FUR VOLKERKUNDE DRESDEN, Band 25, 1965. 272 pages of text plus 92 pages of photographs, 11 pages of drawings, and 9 pages of maps. There are a number of important papers in this volume. 3. Tuckson, M. ABORIGINAL AND MELANESIAN ART. Art Gallery of New South Wales, Sydney, 1973. 55 pages, 65 Iarge photographs. 4. Edwards, R. ABORIGINAL BARK CANOES OF THE MURRAY VALLEY. South Australian Museum, 1972. 80 pages, 58 photographs, including a number well over 100 years old from archival sources. Cloth cover. 5. ABORIGINAL BARK PAINTINGS FROM AUSTRALIA. Houston , Museum of Fine Arts, 1965. 40 pages, 24 full-page photographs. 6. Edmundson, A., C. Boylan. ADORNED. Traditional Jewellry and Body Decoration from Australia and the Pacific. Macleay Museum, Sydney, , 1999. 112 pages, 84 pages of color and b/w photographs of objects in the exhibition, 16 b/w historic field photographs, maps on endpapers. 7. Icke-Schwalbe, L. THE ANDAMANESE COLLECTION IN THE STATE MUSEUM OF ETHNOGRAPHY DRESDEN, GDR. Dresden, 1986. 68 pages, 83 photographs of hunting and gathering implements, dress and ornamental objects, and ritual objects. 8. Tausie, V. ART IN THE NEW PACIFIC. Suva, 1979, 1981. 110 pages, 28 pages of b/w and 8 pages of color photographs. 9. Wingert, P. ART OF THE SOUTH PACIFIC ISLANDS. San Francisco, De Young Museum, 1953. 64 pages of text, containing 22 drawings, plus 38 additional pages containing 102 photographs. Soft covered. 10. Barrow, T. THE ART OF TAHITI. London, 1979. 96 pages, 50 b/w and 48 color photographs. 11. Tausie, V. ART IN THE NEW PACIFIC. Suva, 1979, 1981. 110 pages, 28 pages of b/w and 8 pages of color photographs. 12. O'reilly, P. ART MELANESIEN. Paris, Mission des Iles, 1951. 46 pages, 27 large b/w and 2 color drawings of the works of four Solomon Islands artists who drew themes from native legends. Ediiton limited to 2,000 copies. 13. Nicolas, A., I. Senepart. ART PAPOU. Austronesiens et Papous de Nouvelle-Guinee. Marseill, 2000. 336 pages, 326 large color photographs, 17 pages of smaller color photographs, 13 b/w photographs, 5 small maps, and 1 large fold-out color map that is laid in. 14. Roma, J., A. Gotz. ARTE TEXTIL EN INDONESIA. Barcelona, Museo Ethnologico, , n.d., ca 1990. 78 pages, 28 pages of b/w photographs, 8 full-page color photographs plus 7 smaller photographs, 1 map. 15. Guiart, Jean. THE ARTS OF THE SOUTH PACIFIC. Paris, 1963. 460 pages, 336 b/w photographs- -mainly full-page, 102 color photographs--mainly full-page, 3 pages of maps. Cloth cover. Jean Guiart's masterpiece--one of the most important books published on Oceanic art--is particularly prized, not only for its important text, but also for the richness of its abundant photographs. 16. Linton, R., P.s. Wingert, R. d'Harnoncourt. ARTS OF THE SOUTH SEAS Museum of Modern Art. New York, 1946. 200 pages, 196 photographs, 4 full-page drawings by Miguel Covarrubias Cloth cover ed. 17. Lincoln, L., T. Bodrogi, B. Clay, M. Gunn, D. Heintze, R. Wagner ASSEMBLAGE OF SPIRITS, IDEA AND IMAGE IN NEW IRELAND. New York, 1987. 168 pages, 62 color photographs--doublepage, full-page, and half-page, 24 smaller color photographs, 18 b/w photographs, 2 drawings, 1 map. Cloth cover. 18. Mccarthy, F. (preface), R. Edwards. AUSTRALIAN ABORIGINAL CULTURE. Canberra, 1953, 1973. 48 pages, 128 photographs. 19. Brandl, E. AUSTRALIAN ABORIGINAL PAINTINGS IN WESTERN AND CENTRAL ARNHEM LAND. Temporal Sequences and Elements of Style in Cadell River and Deaf Adder Creek Art Australian Institute of Aboriginal Studies, 1982. 214 pages, 248 drawings plus 54 full-page photographs of Arnhem Land rock paintings. Cloth cover, folio size (9"x14") 20. Idiens, D. COOK ISLANDS ART. Buckinghamshire, 1990. 64 pages, 46 photographs, 2 maps. 21. Lewis, A. DECORATIVE ART OF NEW GUINEA: INCISED