A Chinese Qing Dynasty bamboo carving
including: (1) ink and pigment on cotton fabric painted to depict the Ten Material World Dhyana People, Five Emperors, together with the Five Planets, 56"H x 36"W; (1) ink and pigment on cotton fabric painted to depict Medicine Buddha, 56"H x 36"W; (1) ink and pigment on cotton fabric painted to depict Yang Jian er lang Immortal, 52.5"H x 36"W. Provenance: Estate of a Belgian national collector who lived and worked in mainland China from 1896 – 1948. Ming dynasty votive paintings were used within temples, Buddhist monasteries, Daoist abbeys and private chapels in conjunction with mortuary rituals and ancestral offerings, notably the Shui Zhai or offering for the Souls of All Sentient Beings. Circa - Late Ming - Early Qing Dynasty, Late 17th C.
A Chinese Qing Dynasty bamboo carving
including: (1) ink and pigment on cotton fabric painted to depict the Ten Material World Dhyana People, Five Emperors, together with the Five Planets, 56"H x 36"W; (1) ink and pigment on cotton fabric painted to depict Medicine Buddha, 56"H x 36"W; (1) ink and pigment on cotton fabric painted to depict Yang Jian er lang Immortal, 52.5"H x 36"W. Provenance: Estate of a Belgian national collector who lived and worked in mainland China from 1896 – 1948. Ming dynasty votive paintings were used within temples, Buddhist monasteries, Daoist abbeys and private chapels in conjunction with mortuary rituals and ancestral offerings, notably the Shui Zhai or offering for the Souls of All Sentient Beings. Circa - Late Ming - Early Qing Dynasty, Late 17th C.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
