UTAGAWA HIROSHIGE (1797-1858), TOYOHARU KUNICHIKA (1835-1900), KATSUSHIKA HOKUSAI (1760–1849), AND OTHERSA Group of 12 Woodblock Prints Edo period (1615-1868) or Meiji era (1868-1912) Comprising three ōban yoko-e sheets from from the series Chūshingura (The Storehouse of Loyal Retainers), 1835-1839, signed Hiroshige ga; two chūban yoko-e prints depicting actors; four koban tate-e prints from the series Genji gojūyon jo (The Fifty-four Chapters of (The Tale of) Genji); a sheet from an album depicting a procession with a blind priest and his retinue, signed Seisei Kyōsai and sealed Kawanabe; a chūban yoko-e sheet from an album depicting two beauties strolling by a lake, signed Gakyōjin Hokusai ga; a facsimile of a Hiroshige print, each framed and glazed (12) 13 1/2 x 8 3/4in (34.3 x 22.2cm), the largest, not examined out of the frame
UTAGAWA HIROSHIGE (1797-1858), TOYOHARU KUNICHIKA (1835-1900), KATSUSHIKA HOKUSAI (1760–1849), AND OTHERSA Group of 12 Woodblock Prints Edo period (1615-1868) or Meiji era (1868-1912) Comprising three ōban yoko-e sheets from from the series Chūshingura (The Storehouse of Loyal Retainers), 1835-1839, signed Hiroshige ga; two chūban yoko-e prints depicting actors; four koban tate-e prints from the series Genji gojūyon jo (The Fifty-four Chapters of (The Tale of) Genji); a sheet from an album depicting a procession with a blind priest and his retinue, signed Seisei Kyōsai and sealed Kawanabe; a chūban yoko-e sheet from an album depicting two beauties strolling by a lake, signed Gakyōjin Hokusai ga; a facsimile of a Hiroshige print, each framed and glazed (12) 13 1/2 x 8 3/4in (34.3 x 22.2cm), the largest, not examined out of the frame
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