2517 TOYOHARA CHIKANOBU (Japanese, 1838-1912); ETC. Beauty of Genroku, 1897 together with TSUKIOKA YOSHITOSHI (Japanese, 1839-1892) Moon on the Ruins (Haso no Tsuki), Taira no Kiyomori, and The Moon on Musashi Plain (Musashino no Tsuki); Four woodblocks in colors (all framed separately); Each with stamped markings; Beauty of Genroku: 13 1/2Ó x 9Ó (sight) Beauty of Genroku: Faint areas of soiling to upper left edge and two minor dimples along right edge. Light handling marks throughout. Yoshitoshi works: Slight buckling to all sheets, "Taira no Kiyomori" and "The Moon on Musashi Plain" with scattered creases and light overall soiling. Possible _" tear to center right margin of "The Moon on Musashi Plain". Time toning to all sheets. "
2517 TOYOHARA CHIKANOBU (Japanese, 1838-1912); ETC. Beauty of Genroku, 1897 together with TSUKIOKA YOSHITOSHI (Japanese, 1839-1892) Moon on the Ruins (Haso no Tsuki), Taira no Kiyomori, and The Moon on Musashi Plain (Musashino no Tsuki); Four woodblocks in colors (all framed separately); Each with stamped markings; Beauty of Genroku: 13 1/2Ó x 9Ó (sight) Beauty of Genroku: Faint areas of soiling to upper left edge and two minor dimples along right edge. Light handling marks throughout. Yoshitoshi works: Slight buckling to all sheets, "Taira no Kiyomori" and "The Moon on Musashi Plain" with scattered creases and light overall soiling. Possible _" tear to center right margin of "The Moon on Musashi Plain". Time toning to all sheets. "
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