Stranger #
signed, titled and dated "Stranger #67 2012 Glenn Ligon LIGON" on the backing board oilstick, acrylic and coal dust on canvas 84 x 60 in. (213.4 x 152.4 cm) Executed in 2012.
Condition ReportRequest Condition ReportThank youfor your request. The Condition Report will be sent shortly.Contact Us* RequiredSend me the Report ViaEmailFaxContact SpecialistCancelDescriptionOur Buyer's Premium has been updated. View our Conditions of Sale.ProvenanceRat Hole Gallery, Tokyo Acquired from the above by the present ownerExhibitedTokyo, Rat Hole Gallery, Glenn Ligon March 29 – June 30, 2013Artist BiographyGlenn LigonAmerican • 1960 Follow Glenn Ligon gained prominence in the early 1990s as a pioneering artist whose incisive work exploring of the contemporary American experience utilized the methods and legacies of modern painting and conceptual art. Embracing an intertextual approach, Ligon incorporates works from the arts, literature, history, and his own life to investigate American society and its inequities. Though he began his career as an abstract painter, he began incorporating text into his work in the mid-1980s to better articulate his political concerns and his ideas about racial identity and experience. He samples writing from famed Black writers including James Baldwin, Zora Neale Hurston, and Ralph Ellison, among other authors. Ligon’s body of work includes painting, photography, sculpture, installation, video, and neon art, but he is most widely associated with his text-based paintings. He is also notable for conceptualizing the term “Post-Blackness,” with Thelma Golden, describing it as “the liberating value in tossing off the immense burden of race-wide representation, the idea that everything they do must speak too for or about the entire race.” His work is held in notable museum collections around the world. View More Works
Stranger #
signed, titled and dated "Stranger #67 2012 Glenn Ligon LIGON" on the backing board oilstick, acrylic and coal dust on canvas 84 x 60 in. (213.4 x 152.4 cm) Executed in 2012.
Condition ReportRequest Condition ReportThank youfor your request. The Condition Report will be sent shortly.Contact Us* RequiredSend me the Report ViaEmailFaxContact SpecialistCancelDescriptionOur Buyer's Premium has been updated. View our Conditions of Sale.ProvenanceRat Hole Gallery, Tokyo Acquired from the above by the present ownerExhibitedTokyo, Rat Hole Gallery, Glenn Ligon March 29 – June 30, 2013Artist BiographyGlenn LigonAmerican • 1960 Follow Glenn Ligon gained prominence in the early 1990s as a pioneering artist whose incisive work exploring of the contemporary American experience utilized the methods and legacies of modern painting and conceptual art. Embracing an intertextual approach, Ligon incorporates works from the arts, literature, history, and his own life to investigate American society and its inequities. Though he began his career as an abstract painter, he began incorporating text into his work in the mid-1980s to better articulate his political concerns and his ideas about racial identity and experience. He samples writing from famed Black writers including James Baldwin, Zora Neale Hurston, and Ralph Ellison, among other authors. Ligon’s body of work includes painting, photography, sculpture, installation, video, and neon art, but he is most widely associated with his text-based paintings. He is also notable for conceptualizing the term “Post-Blackness,” with Thelma Golden, describing it as “the liberating value in tossing off the immense burden of race-wide representation, the idea that everything they do must speak too for or about the entire race.” His work is held in notable museum collections around the world. View More Works
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