SPRING and SUMMER, c.1920 (A PAIR) Mainie Jellett (1897-1944)
Medium: watercolour with gouache and charcoal over pencil; (2) Dimensions: 57.5 by 20in., 143.75 by 50cm. Provenance: with The Neptune Gallery, Dublin; Private collection Mainie Jellett designed and painted folding screens widely used in the 'big houses' in Dublin and the country as draft excluders beside doors. They were three and four-fold and the scenes depicted on ... them included the seasons quite often. In the case of this pair spring and summer are the subjects. The influence in her work at this time, at the end of the First World War, came primarily from the naturalistic painter, Walter Sickert, with whom she studied in London before going to Paris to work with André Lhote and then Albert Gleizes Works of equal size; framed uniformly. more
SPRING and SUMMER, c.1920 (A PAIR) Mainie Jellett (1897-1944)
Medium: watercolour with gouache and charcoal over pencil; (2) Dimensions: 57.5 by 20in., 143.75 by 50cm. Provenance: with The Neptune Gallery, Dublin; Private collection Mainie Jellett designed and painted folding screens widely used in the 'big houses' in Dublin and the country as draft excluders beside doors. They were three and four-fold and the scenes depicted on ... them included the seasons quite often. In the case of this pair spring and summer are the subjects. The influence in her work at this time, at the end of the First World War, came primarily from the naturalistic painter, Walter Sickert, with whom she studied in London before going to Paris to work with André Lhote and then Albert Gleizes Works of equal size; framed uniformly. more
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