Sixty-one Old Master Prints, Many Late Impressions: Including Frederik Bloemaert (Dutch, 1610-1669), Three Women Lamenting, chiaroscuro print (etching over woodblock, 18th century printing); Juan de Valdés Leal (Spanish, 1622-1690), Three Church Interior Views; Lucas van Leyden (Dutch, 1494-1533), Adoration of the Magi, a late, posthumous impression; Niccolo Boldrini (Italian, 1510-1566), After Titian The Laocöon, a very late impression, and Six Saints; Ottavio Maria Leoni (Italian, 1578-1630), Portrait of Antonio Tempesta; Gérard Audran (French, 1640-1703), Ceiling Design After Pietro da Cortona (Italian, 1596-1669), engraved on three sheets; with a red chalk drawing of a seated sculptural figure and a photo facsimile. Sizes to 19 1/4 x 27 in., some in photo binders, most unmatted, all unframed. Condition: Many with toning, some with insect damage or other age-related condition issues.
Sixty-one Old Master Prints, Many Late Impressions: Including Frederik Bloemaert (Dutch, 1610-1669), Three Women Lamenting, chiaroscuro print (etching over woodblock, 18th century printing); Juan de Valdés Leal (Spanish, 1622-1690), Three Church Interior Views; Lucas van Leyden (Dutch, 1494-1533), Adoration of the Magi, a late, posthumous impression; Niccolo Boldrini (Italian, 1510-1566), After Titian The Laocöon, a very late impression, and Six Saints; Ottavio Maria Leoni (Italian, 1578-1630), Portrait of Antonio Tempesta; Gérard Audran (French, 1640-1703), Ceiling Design After Pietro da Cortona (Italian, 1596-1669), engraved on three sheets; with a red chalk drawing of a seated sculptural figure and a photo facsimile. Sizes to 19 1/4 x 27 in., some in photo binders, most unmatted, all unframed. Condition: Many with toning, some with insect damage or other age-related condition issues.
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