Beschreibung:

Seif Wanly (1906-1979) and Adham Wanly (1908-1959)The Kapsalis Archive a large and comprehensive collection of artworks, letters, sketches and ephemera from Seif and Adham Wanly consisting of 5 paintings and pastels by Seif Wanly, 2 paintings and pastels by Adham Wanly, 1 sketch by Ahmed Fahmi, approx. 140 anatomical sketches, drawings and studies by Seif and Adham Wanly, a set of approx. 23 post cards, hand painted cards and love letters from Fanny Ezersky to the brothers, a further approximately 50 greeting cards, exhibition catalogues and other ephemera the archive approximately covers the period 1956-1960 FootnotesTHE KAPSALIS ARCHIVE: A PRICELESS AND EXTENSIVE COLLECTION OF ARTWORKS, LETTERS, SKETCHES AND PERSONAL DOCUMENTS FROM SEIF AND ADHAM WANLY Provenance: Property from the collection of the Kapsalis family, Greece Acquired when the family were living in Alexandria, Egypt Location: Bonhams, New Bond Street, London "Dear Seif To-day it is Edhams birthday: he is with us more than ever. Please give him some bunches of violets: he loved violets. I wish I could wire some violets but I cant. As soon as I can, I will go to the zoo and I will feed the llamas and the bears and the monkeys and speak to them, as Edham liked them and I too. Take care of yourself for our and his sake, as he took care of us..... Grievingly yours Fanny 25th February 1960" The Kapsalis Archive is one of the most astonishing and remarkable collections of its kind. A priceless compendium of artworks, personal correspondences, exhibition ephemera, postcards, drawings, studies and sketches spanning several years of the Wanly brothers illustrious careers, it provides an extraordinary insight into the most intimate aspects of their personal lives, as well as painting a vignette of the charm and excitement of cosmopolitan Alexandria in the 1950's The Archive, which contains over a hundred separate articles, spans an immense range of material. Dozens of anatomical studies emulating the work of renowned artists like Degas, Matisse and Boucher, evidence the Wanly brothers keen awareness and appreciation of European artistic trends. A set of portrait paintings and pastels serve as incredible artworks in their own right, marvellous and expressive examples from the artists atelier. Dozens of postcards and personal correspondences give us an incomparably intimate insight into the personal sphere of the two artists, most notably the tragic love story of Adham Wanly and his English lover Fanny Erzesky, whose tender and passionate love letters end with dismay and tragedy when she learns of Adham's premature passing Rarely do collectors get the opportunity to acquire a group of works with such deep biographical penetration. Offered in raw format, with dozens of untranslated Arabic letters and documents, the collection presents a significant opportunity for further research and rightly deserves to be meticulously studied, researched and contextualised so that it can serve as a vital resource in understanding the lives and careers of two of Egypt's most prolific artists SEIF AND ADHAM WANLY Seif and Adham Wanly were prolific artists who truly embodied the spirit of cosmopolitan Alexandria. Their early works were inspired by the use of the light and gentle strokes of his Italian professor, Ottorino Bicchi who was close to the Italian Macchiaioli and the École de Barbizon. Later in their career, Seif and Adham used larger surfaces of bold colors and exercised greater freedom in compositions, bringing them closer to Fauvism. Seif and Adham were fascinated by the performing arts and depicted scenes of circus, ballet, opera, music concerts, bull-fighting as well as all types of sports, including horse races. They represented the life of the performers on stage and backstage by expressing their vivid and dynamic movements. Their fascination with performance arts also led him to design several sets for theater and opera productions in Egypt. They painted numerous views of tr