Papers, etchings and watercolours of Salisbury etcher and landscape artist D.C. Read, comprising a series of nearly eighty long letters addressed to him by his chief patron, Chambers Hall between 1824 and 1842, almost entirely devoted to their mutual passion for art and discussing fellow artists, such as Linnell, the art of exhibitions, etching, picture sales, etc., with detailed critiques of individual works by Read (noted by the appreciative artist at the head of each letter), as well as a draft for a notice in the Athenaeum, etc.; plus over sixty incoming letters by fellow artists, collectors and others, including George Combe, C.W. Dilke, Thomas Wright (dedicatee of his 1829 etchings) and his erstwhile fellow Sarumite Augustus Welby Pugin (two letters); with letter to him by his sons and other family letters; a contract purchasing the goodwill of his teaching practice as a drawing master at Salisbury, 1844, etc.; with four framed watercolours, a portfolio of his etchings as published by him, Salisbury 1829, another with some prints extracted for distribution, and a portfolio of loose watercolours and etchings
Papers, etchings and watercolours of Salisbury etcher and landscape artist D.C. Read, comprising a series of nearly eighty long letters addressed to him by his chief patron, Chambers Hall between 1824 and 1842, almost entirely devoted to their mutual passion for art and discussing fellow artists, such as Linnell, the art of exhibitions, etching, picture sales, etc., with detailed critiques of individual works by Read (noted by the appreciative artist at the head of each letter), as well as a draft for a notice in the Athenaeum, etc.; plus over sixty incoming letters by fellow artists, collectors and others, including George Combe, C.W. Dilke, Thomas Wright (dedicatee of his 1829 etchings) and his erstwhile fellow Sarumite Augustus Welby Pugin (two letters); with letter to him by his sons and other family letters; a contract purchasing the goodwill of his teaching practice as a drawing master at Salisbury, 1844, etc.; with four framed watercolours, a portfolio of his etchings as published by him, Salisbury 1829, another with some prints extracted for distribution, and a portfolio of loose watercolours and etchings
.jpg "Quelle: Clarke's Africana & Rare Books Paul Mills")
Testen Sie LotSearch und seine Premium-Features 7 Tage - ohne Kosten!
Lassen Sie sich automatisch über neue Objekte in kommenden Auktionen benachrichtigen.
Suchauftrag anlegen
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
