OTTLEY, William Young & Pietro William TOMKINS Engravings of the most Noble the Marquis of Stafford's Collection of Pictures. London: Bensley and Son, 1818. 4 volumes bound in 2, 2° (600 x 430mm). Engraved plans and plates on india paper (some mainly marginal staining and spotting). Contemporary red half morocco and paper boards with printed labels on upper covers (rubbed and stained).
OTTLEY, William Young & Pietro William TOMKINS Engravings of the most Noble the Marquis of Stafford's Collection of Pictures. London: Bensley and Son, 1818. 4 volumes bound in 2, 2° (600 x 430mm). Engraved plans and plates on india paper (some mainly marginal staining and spotting). Contemporary red half morocco and paper boards with printed labels on upper covers (rubbed and stained). With 4 other works in 7 vols. including Antoine Michel Filhol's Galerie du Musée Napoléon (Paris, 1804-07, vol.I - IV only, of 10), Choix de gravures à l'eau forte, d' après les peintures originales et les marbres de la Galerie de Lucien Bonaparte (London, 1812, contemporary diced calf gilt) and a bound collection of printed music, c.1800s. (9)
OTTLEY, William Young & Pietro William TOMKINS Engravings of the most Noble the Marquis of Stafford's Collection of Pictures. London: Bensley and Son, 1818. 4 volumes bound in 2, 2° (600 x 430mm). Engraved plans and plates on india paper (some mainly marginal staining and spotting). Contemporary red half morocco and paper boards with printed labels on upper covers (rubbed and stained).
OTTLEY, William Young & Pietro William TOMKINS Engravings of the most Noble the Marquis of Stafford's Collection of Pictures. London: Bensley and Son, 1818. 4 volumes bound in 2, 2° (600 x 430mm). Engraved plans and plates on india paper (some mainly marginal staining and spotting). Contemporary red half morocco and paper boards with printed labels on upper covers (rubbed and stained). With 4 other works in 7 vols. including Antoine Michel Filhol's Galerie du Musée Napoléon (Paris, 1804-07, vol.I - IV only, of 10), Choix de gravures à l'eau forte, d' après les peintures originales et les marbres de la Galerie de Lucien Bonaparte (London, 1812, contemporary diced calf gilt) and a bound collection of printed music, c.1800s. (9)
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
