One by Shinzan and one by Hattori, Meiji era (1868-1912), late 19th/early 20th century Comprising an octagonal vase, with two large rectangular panels enclosing bird-and-flower scenes, one depicting a peacock perched beneath maple branches on a rock and peering down at its mate below standing beside a stream, the other with a pair of exotic birds perched on flowering cherry branches, signed on the base in gilt Satsuma Shinzan , 32cm (12 5/8in) high ; the second a three-legged handled incense burner decorated on the body with two large square panels, one enclosing a wealthy household at leisure enjoying New Year games such as hanetsuki (Japanese battledore) and takoage (kite-flying), the integral cover reticulated in the form of a large chrysanthemum blossom, signed on the base Satsuma Hattori , 24cm (9 3/8in) high . (2).
One by Shinzan and one by Hattori, Meiji era (1868-1912), late 19th/early 20th century Comprising an octagonal vase, with two large rectangular panels enclosing bird-and-flower scenes, one depicting a peacock perched beneath maple branches on a rock and peering down at its mate below standing beside a stream, the other with a pair of exotic birds perched on flowering cherry branches, signed on the base in gilt Satsuma Shinzan , 32cm (12 5/8in) high ; the second a three-legged handled incense burner decorated on the body with two large square panels, one enclosing a wealthy household at leisure enjoying New Year games such as hanetsuki (Japanese battledore) and takoage (kite-flying), the integral cover reticulated in the form of a large chrysanthemum blossom, signed on the base Satsuma Hattori , 24cm (9 3/8in) high . (2).
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