The first early 1830s Two oban yoko-e prints: the first titled Onmayagashi yori Ryogoku-bashi sekiyo o miru (Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment) from the series Fugaku sanju-rokkei (Thirty-six Views of Mount Fuji), published by Nishimuraya Yohachi signed Zen Hokusai Iitsu hitsu, 26cm x 38.5cm (10¼in x 15 1/8in); the second a facsimile after the original by the artist depicting Kajisawa in Kai Province from the same series, titled Zen Hokusai Fuji shokei Koshu Kajisawa (Superb Views of Mount Fuji in Kajisawa in Kai Province by Hokusai), probably published by Okura Magobei in the Meiji Period, inscribed Zen Hokusai Iitsu hitsu, 23.7cm x 35.2cm (9¼in x 13 7/8in).
The first early 1830s Two oban yoko-e prints: the first titled Onmayagashi yori Ryogoku-bashi sekiyo o miru (Viewing Sunset over the Ryogoku Bridge from the Onmaya Embankment) from the series Fugaku sanju-rokkei (Thirty-six Views of Mount Fuji), published by Nishimuraya Yohachi signed Zen Hokusai Iitsu hitsu, 26cm x 38.5cm (10¼in x 15 1/8in); the second a facsimile after the original by the artist depicting Kajisawa in Kai Province from the same series, titled Zen Hokusai Fuji shokei Koshu Kajisawa (Superb Views of Mount Fuji in Kajisawa in Kai Province by Hokusai), probably published by Okura Magobei in the Meiji Period, inscribed Zen Hokusai Iitsu hitsu, 23.7cm x 35.2cm (9¼in x 13 7/8in).
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