Enrique Chagoya (Mexican/American, b. 1953). Group of eight intaglio prints from the suite "The Return to Goya's Caprichos," printed between March 22 to 27, 1999. Each pencil signed and dated along the lower right; numbered 28/40 along the lower left; each uniquely stamped in red with Museo de Canibalismo y Tecnologia Macrobiotica. Published by Segura Publishing Company in Tempe, Arizona. Including: "A caza de dientes," "se repulen," "El sueno de la razon produce monstruos," "Quien mas remdido," "Linda maestra," "Ni mas ni menos," "Que biene el Coco," and "De gre mal morira." Each, height: 14 1/2 in x width: 11 in. Condition Request Condition Report All artworks are in excellent condition. There are no rips, creases, or restorations. There is a slight undulation to each sheet. To "Ni mas ni menos" there is a minute spot of acidic burn along the lower margin just left of the signature. Some light wear to the deckled edges; possibly original to the artistic process. Some very light wear to the portfolio along the edge. The artworks are not framed.
Enrique Chagoya (Mexican/American, b. 1953). Group of eight intaglio prints from the suite "The Return to Goya's Caprichos," printed between March 22 to 27, 1999. Each pencil signed and dated along the lower right; numbered 28/40 along the lower left; each uniquely stamped in red with Museo de Canibalismo y Tecnologia Macrobiotica. Published by Segura Publishing Company in Tempe, Arizona. Including: "A caza de dientes," "se repulen," "El sueno de la razon produce monstruos," "Quien mas remdido," "Linda maestra," "Ni mas ni menos," "Que biene el Coco," and "De gre mal morira." Each, height: 14 1/2 in x width: 11 in. Condition Request Condition Report All artworks are in excellent condition. There are no rips, creases, or restorations. There is a slight undulation to each sheet. To "Ni mas ni menos" there is a minute spot of acidic burn along the lower margin just left of the signature. Some light wear to the deckled edges; possibly original to the artistic process. Some very light wear to the portfolio along the edge. The artworks are not framed.
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