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Auktionsarchiv: Los-Nr. 191

Gerhard Richter

Schätzpreis
80.000 £ - 120.000 £
ca. 98.751 $ - 148.127 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 191

Gerhard Richter

Schätzpreis
80.000 £ - 120.000 £
ca. 98.751 $ - 148.127 $
Zuschlagspreis:
n. a.
Beschreibung:

Gerhard Richter War Cut II numbered, signed and dated 'XX/XX h.c Richter 2004' on the front free end paper of the book oil on linen book 25.5 x 21.8 cm (10 x 8 5/8 in.) Executed in 2004. This work is number 20 from an edition of 20.
Provenance Leo Koenig Inc., New York Acquired from the above by the present owner Literature Hubertus Butin, ed., Gerhard Richter Editions 1965 - 2013 Catalogue Raisonné, Ostfildern, 2013, no. 125, p. 296 (another example illustrated) Artist Bio Gerhard Richter German • 1932 Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. View More Works

Auktionsarchiv: Los-Nr. 191
Auktion:
Datum:
10.03.2017
Auktionshaus:
Phillips
London
Beschreibung:

Gerhard Richter War Cut II numbered, signed and dated 'XX/XX h.c Richter 2004' on the front free end paper of the book oil on linen book 25.5 x 21.8 cm (10 x 8 5/8 in.) Executed in 2004. This work is number 20 from an edition of 20.
Provenance Leo Koenig Inc., New York Acquired from the above by the present owner Literature Hubertus Butin, ed., Gerhard Richter Editions 1965 - 2013 Catalogue Raisonné, Ostfildern, 2013, no. 125, p. 296 (another example illustrated) Artist Bio Gerhard Richter German • 1932 Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. View More Works

Auktionsarchiv: Los-Nr. 191
Auktion:
Datum:
10.03.2017
Auktionshaus:
Phillips
London
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