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Auktionsarchiv: Los-Nr. 374

GAO JIANFU (1879–1951): ‘MAJESTIC EAGLE ON CLIFF’

Schätzpreis
500 €
ca. 540 $
Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 374

GAO JIANFU (1879–1951): ‘MAJESTIC EAGLE ON CLIFF’

Schätzpreis
500 €
ca. 540 $
Zuschlagspreis:
n. a.
Beschreibung:

Lot details Please note this Lot is to be sold at No Reserve. 本拍品不設底價 China, dated 1917. Ink, watercolors, and gouache on silk. Mounted as a hanging scroll, on a silk brocade coated paper frame. Finely painted with an eagle perched on a cliff, its talons clasped sharply around the outpost, keeping its footing, as it attentively surveys the area nearby. Inscription: To the top-right, inscribed ‘In June of the 5th year of the Republic period, Gao Lun painted in Japanese capital’. One seal ‘Gao Jianfu’. Another seal at the bottom right corner. Provenance: French trade. Condition: Good condition with minor wear, few stains, and very few touch-ups. The mounting with traces of age and wear. Dimensions: Image size 113.5 x 35.5 cm, Size incl. mounting 196 x 48 cm Gao Jianfu (1879–1951), a native of Guangzhou, was credited for leading the Lingnan (Canton) School’s effort to modernize Chinese traditional painting as a ‘new national painting.’ Along with his brother Gao Qifeng and friend Chen Shuren, they are known as the Three Masters of the Lingnan School. Gao Jianfu learned painting with Ju Lian (1828-1904) in his early years before he went to Japan, where he was influenced by the Nihonga movement that synthesized Western realism—natural light and luminous colors—with Eastern materials, techniques, and subject matter. This new hybrid art included the use of perspective, and other elements of Western painting. Jianfu once wrote: ‘I think we should not only take in elements of Western painting. If there are good points in Indian painting, Egyptian painting, Persian painting, or masterpieces of other countries, we should embrace all of them too, as nourishment for Chinese painting.’ While in Japan and after his return, he was involved in Sun Yat-sen’s revolutionary movement. After Sun Yat-sen passed away, Gao Jianfu devoted himself to the modernization of Chinese painting and art education. Auction result comparison: Type: Closely related Auction: Shanghai Chongyuan Arts Auction Co. LTD, Shanghai, 30 June 2005, lot 1237 Price: CNY 286,000 or approx. EUR 57,000 converted and adjusted for inflation at the time of writing Description: Gao Jianfu (1879-1951), Eagle and Pine (1923) Expert remark: Compare the closely related subject. Note the size (58 x 90 cm).

Auktionsarchiv: Los-Nr. 374
Auktion:
Datum:
01.03.2024
Auktionshaus:
Galerie Zacke
Mariahilferstr. 112 /1/10
1070 Wien
Österreich
office@zacke.at
+43 1 5320452
+43 1 532045220
Beschreibung:

Lot details Please note this Lot is to be sold at No Reserve. 本拍品不設底價 China, dated 1917. Ink, watercolors, and gouache on silk. Mounted as a hanging scroll, on a silk brocade coated paper frame. Finely painted with an eagle perched on a cliff, its talons clasped sharply around the outpost, keeping its footing, as it attentively surveys the area nearby. Inscription: To the top-right, inscribed ‘In June of the 5th year of the Republic period, Gao Lun painted in Japanese capital’. One seal ‘Gao Jianfu’. Another seal at the bottom right corner. Provenance: French trade. Condition: Good condition with minor wear, few stains, and very few touch-ups. The mounting with traces of age and wear. Dimensions: Image size 113.5 x 35.5 cm, Size incl. mounting 196 x 48 cm Gao Jianfu (1879–1951), a native of Guangzhou, was credited for leading the Lingnan (Canton) School’s effort to modernize Chinese traditional painting as a ‘new national painting.’ Along with his brother Gao Qifeng and friend Chen Shuren, they are known as the Three Masters of the Lingnan School. Gao Jianfu learned painting with Ju Lian (1828-1904) in his early years before he went to Japan, where he was influenced by the Nihonga movement that synthesized Western realism—natural light and luminous colors—with Eastern materials, techniques, and subject matter. This new hybrid art included the use of perspective, and other elements of Western painting. Jianfu once wrote: ‘I think we should not only take in elements of Western painting. If there are good points in Indian painting, Egyptian painting, Persian painting, or masterpieces of other countries, we should embrace all of them too, as nourishment for Chinese painting.’ While in Japan and after his return, he was involved in Sun Yat-sen’s revolutionary movement. After Sun Yat-sen passed away, Gao Jianfu devoted himself to the modernization of Chinese painting and art education. Auction result comparison: Type: Closely related Auction: Shanghai Chongyuan Arts Auction Co. LTD, Shanghai, 30 June 2005, lot 1237 Price: CNY 286,000 or approx. EUR 57,000 converted and adjusted for inflation at the time of writing Description: Gao Jianfu (1879-1951), Eagle and Pine (1923) Expert remark: Compare the closely related subject. Note the size (58 x 90 cm).

Auktionsarchiv: Los-Nr. 374
Auktion:
Datum:
01.03.2024
Auktionshaus:
Galerie Zacke
Mariahilferstr. 112 /1/10
1070 Wien
Österreich
office@zacke.at
+43 1 5320452
+43 1 532045220
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