FUCHS, LEONHARD. NEU KREüTERBUCH. BASEL: MICHAEL ISINGRIN 1543. FOLIO, 382 X 249MM. (15 X 9 3/4 IN.), CONTEMPORARY PIGSKIN OVER BEVELLED WOODEN BOARDS, COVERS TOOLED IN BLIND TO A PANEL DESIGN WITH AN OUTER BORDER OF FLORAL TOOLS AROUND A ROLL-TOOL OF FOUR ALLEGORICAL STAMPS: JUSTIFICATIO PECATUM CREDIDI FABRA SANTIFACIO, FRAMING AN INNER PANEL WITH A NARROWER ROLL-TOOL OF JUSTICIA CARITAS SPES FIDES, TWO ORIGINAL BRASS CLASPS, WORN, LEATHER TORN AND DETACHING FROM LOWER EDGE OF UPPER COVER, EXTREMITIES OF SPINE TEARING AND SPLITTING, EIGHT-INCH REPAIRED TEAR TO Y5, ABOUT 15 LEAVES WITH SHORT MARGINAL TEARS, MARGINAL WORMING TO FIRST FEW LEAVES, THREE OR FOUR LEAVES WITH OLD OFFSETTING FROM FORMERLY INSERTED PLANTS, A FEW OTHER MINOR STAINS, FACE DRAWN IN OLD INK ON WOODCUT ON T2V, DAMPSTAINING TO FORE-EDGES OF LAST 15 OR 20 LEAVES, A FEW OTHER LEAVES LIGHTLY DAMPSTAINED AT UPPER MARGINS, OCCASIONAL MARGINAL FOXING, SOME MARGINAL SOILING THROUGHOUT. GOTHIC TYPE, PRINTER'S WOODCUT DEVICE ON TITLE AND LARGER WOODCUT DEVICE ON VERSO OF FINAL LEAF (BB8, RECTO BLANK), FULL-PAGE PORTRAIT OF THE AUTHOR ON VERSO, APPROXIMATELY 515 MOSTLY NUMBERED FULL-PAGE WOODCUTS OF PLANTS BY VEIT RUDOLPH SPECKLE AFTER HEINRICH FüLLMAURER AND ALBRECHT MEYER, WOODCUT PORTRAITS OF THE THREE ARTISTS ON BB7V, ONE LARGE (68 X 80MM.) AND NUMEROUS SMALLER (FIVE-LINE) WOODCUT GOTHIC INITIALS, A FEW WHITE-ON-BLACK WOODCUT INITIALS FROM THE FIRST EDITION. FIRST EDITION IN GERMAN, second edition of the illustrations, a revised translation with a new dedication. Adams F1107; Nissen BBI 659; Pritzel 3139; Stafleu TL-2 1910. Provenance : Extensive annotations in two different contemporary German hands on pastedowns, flyleaves, and recto and verso of last leaf, mostly medicinal recipes, several against the plague or fever; scattered contemporary marginalia; inscription on title in a seventeenth or eighteenth-century hand: "F.V.C.T.B.H.Z.S. 1683", and initials P.L.; mdoern woodcut bookplate on verso of title; Juan Carlos Ahumada, bookplate; the present owner.
FUCHS, LEONHARD. NEU KREüTERBUCH. BASEL: MICHAEL ISINGRIN 1543. FOLIO, 382 X 249MM. (15 X 9 3/4 IN.), CONTEMPORARY PIGSKIN OVER BEVELLED WOODEN BOARDS, COVERS TOOLED IN BLIND TO A PANEL DESIGN WITH AN OUTER BORDER OF FLORAL TOOLS AROUND A ROLL-TOOL OF FOUR ALLEGORICAL STAMPS: JUSTIFICATIO PECATUM CREDIDI FABRA SANTIFACIO, FRAMING AN INNER PANEL WITH A NARROWER ROLL-TOOL OF JUSTICIA CARITAS SPES FIDES, TWO ORIGINAL BRASS CLASPS, WORN, LEATHER TORN AND DETACHING FROM LOWER EDGE OF UPPER COVER, EXTREMITIES OF SPINE TEARING AND SPLITTING, EIGHT-INCH REPAIRED TEAR TO Y5, ABOUT 15 LEAVES WITH SHORT MARGINAL TEARS, MARGINAL WORMING TO FIRST FEW LEAVES, THREE OR FOUR LEAVES WITH OLD OFFSETTING FROM FORMERLY INSERTED PLANTS, A FEW OTHER MINOR STAINS, FACE DRAWN IN OLD INK ON WOODCUT ON T2V, DAMPSTAINING TO FORE-EDGES OF LAST 15 OR 20 LEAVES, A FEW OTHER LEAVES LIGHTLY DAMPSTAINED AT UPPER MARGINS, OCCASIONAL MARGINAL FOXING, SOME MARGINAL SOILING THROUGHOUT. GOTHIC TYPE, PRINTER'S WOODCUT DEVICE ON TITLE AND LARGER WOODCUT DEVICE ON VERSO OF FINAL LEAF (BB8, RECTO BLANK), FULL-PAGE PORTRAIT OF THE AUTHOR ON VERSO, APPROXIMATELY 515 MOSTLY NUMBERED FULL-PAGE WOODCUTS OF PLANTS BY VEIT RUDOLPH SPECKLE AFTER HEINRICH FüLLMAURER AND ALBRECHT MEYER, WOODCUT PORTRAITS OF THE THREE ARTISTS ON BB7V, ONE LARGE (68 X 80MM.) AND NUMEROUS SMALLER (FIVE-LINE) WOODCUT GOTHIC INITIALS, A FEW WHITE-ON-BLACK WOODCUT INITIALS FROM THE FIRST EDITION. FIRST EDITION IN GERMAN, second edition of the illustrations, a revised translation with a new dedication. Adams F1107; Nissen BBI 659; Pritzel 3139; Stafleu TL-2 1910. Provenance : Extensive annotations in two different contemporary German hands on pastedowns, flyleaves, and recto and verso of last leaf, mostly medicinal recipes, several against the plague or fever; scattered contemporary marginalia; inscription on title in a seventeenth or eighteenth-century hand: "F.V.C.T.B.H.Z.S. 1683", and initials P.L.; mdoern woodcut bookplate on verso of title; Juan Carlos Ahumada, bookplate; the present owner.
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