Émile-Jacques Ruhlmann Monumental set of doors ca. 1925 Black lacquered oak, oak, silvered bronze, bronze (2). Each: 98 3/8 × 26 1/4 × 1 3/8 in. (249.9 × 66.7 × 3.5 cm.)
Provenance Michael Chow USA Exhibited “Ruhlmann, Genius of Art Deco,” The Metropolitan Museum of Art, NewYork, June 10 – September 5, 2004, then traveled to: The Montreal Museum of Fine Arts, Jean Noel Desmarais Pavilion, Montreal, September 30 – December 12, 2004 Literature “L’Entrée, Le Vestibule, Le Hallm,” Les Echos des Industries d’Art, no. 19, February 1927, p. 8 for a similar example, “Salons et Boudoirs,” Les Echosd’Art, no. 42, January 1929, p. 8 for a similar example; Raymond Foulk, Centenary Exhibition Emile-Jacques-Ruhlmann, London, 1979, pl. 24 for a similar example; Florence Camard, Ruhlmann: Master of Art Deco, New York, 1984, pp. 134, 151 and 201 for similar examples; Bruno Foucart, et al., Ruhlmann, Connaissance des Arts, Special Issue, Paris, 2001, p. 44 for a similar example
Émile-Jacques Ruhlmann Monumental set of doors ca. 1925 Black lacquered oak, oak, silvered bronze, bronze (2). Each: 98 3/8 × 26 1/4 × 1 3/8 in. (249.9 × 66.7 × 3.5 cm.)
Provenance Michael Chow USA Exhibited “Ruhlmann, Genius of Art Deco,” The Metropolitan Museum of Art, NewYork, June 10 – September 5, 2004, then traveled to: The Montreal Museum of Fine Arts, Jean Noel Desmarais Pavilion, Montreal, September 30 – December 12, 2004 Literature “L’Entrée, Le Vestibule, Le Hallm,” Les Echos des Industries d’Art, no. 19, February 1927, p. 8 for a similar example, “Salons et Boudoirs,” Les Echosd’Art, no. 42, January 1929, p. 8 for a similar example; Raymond Foulk, Centenary Exhibition Emile-Jacques-Ruhlmann, London, 1979, pl. 24 for a similar example; Florence Camard, Ruhlmann: Master of Art Deco, New York, 1984, pp. 134, 151 and 201 for similar examples; Bruno Foucart, et al., Ruhlmann, Connaissance des Arts, Special Issue, Paris, 2001, p. 44 for a similar example
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