AMERICANA]. LONGFELLOW, Henry Wadsworth (1807-1882). The Courtship of Miles Standish, and Other Poems. Boston: Ticknor and Fields, 1858. 8 o . Contemporary brown cloth, covers blind-stamped; modern slipcase. FIRST EDITION, FIRST PRINTING. Line 3 on page 124 reads: "The revel of the treacherous wine." -- LONGFELLOW, Henry Wadsworth. Tales of a Wayside Inn. Boston: Ticknor and Fields, 1863. 8 o . Engraved frontispiece. Contemporary green cloth. FIRST EDITION. [ With ] A NOTE FROM LONGFELLOW dated Nov. 16, 1879, and an engraved plate laid in. Longfellow's note reads: "Dear Sir, Undoubtedly the ch in Petruchis should have the same sound as in child. Yours Truly Henry W. Longfellow." -- The Poetical Works of Henry Wadsworth Longfellow. London: Frederick Warne, [1880]. 8 o . Text printed within a red border, numerous engraved plates and illustrations. Contemporary red morocco gilt, edges gilt concealing a SPLIT FORE-EDGE PAINTING DEPICTING A SIOUX AND A CHEYENNE. Provenance: Sarah Summerfield (ownership signature in ink dated 1881). -- The Atlantic Souvenir, for 1859. New York: Derby & Jackson, 1859. 4 o . Numerous engraved plates. Contemporary red morocco, gilt, edges gilt concealing a DOUBLE FORE-EDGE PAINTING OF BOSTON AND PHILADELPHIA. -- LOSSING, Benson J. The Pictorial Field-Book of the Revolution. New York: Harper & Brothers, 1851. 2 volumes, 4 o . Engraved frontispieces and titles, numerous engraved illustrations. Contemporary brown morocco, decoratively gilt, edges gilt concealing fore-edge paintings of MINUTE MEN AND A BOSTON STREET SCENE. (6)
AMERICANA]. LONGFELLOW, Henry Wadsworth (1807-1882). The Courtship of Miles Standish, and Other Poems. Boston: Ticknor and Fields, 1858. 8 o . Contemporary brown cloth, covers blind-stamped; modern slipcase. FIRST EDITION, FIRST PRINTING. Line 3 on page 124 reads: "The revel of the treacherous wine." -- LONGFELLOW, Henry Wadsworth. Tales of a Wayside Inn. Boston: Ticknor and Fields, 1863. 8 o . Engraved frontispiece. Contemporary green cloth. FIRST EDITION. [ With ] A NOTE FROM LONGFELLOW dated Nov. 16, 1879, and an engraved plate laid in. Longfellow's note reads: "Dear Sir, Undoubtedly the ch in Petruchis should have the same sound as in child. Yours Truly Henry W. Longfellow." -- The Poetical Works of Henry Wadsworth Longfellow. London: Frederick Warne, [1880]. 8 o . Text printed within a red border, numerous engraved plates and illustrations. Contemporary red morocco gilt, edges gilt concealing a SPLIT FORE-EDGE PAINTING DEPICTING A SIOUX AND A CHEYENNE. Provenance: Sarah Summerfield (ownership signature in ink dated 1881). -- The Atlantic Souvenir, for 1859. New York: Derby & Jackson, 1859. 4 o . Numerous engraved plates. Contemporary red morocco, gilt, edges gilt concealing a DOUBLE FORE-EDGE PAINTING OF BOSTON AND PHILADELPHIA. -- LOSSING, Benson J. The Pictorial Field-Book of the Revolution. New York: Harper & Brothers, 1851. 2 volumes, 4 o . Engraved frontispieces and titles, numerous engraved illustrations. Contemporary brown morocco, decoratively gilt, edges gilt concealing fore-edge paintings of MINUTE MEN AND A BOSTON STREET SCENE. (6)
AMERICANA]. LONGFELLOW, Henry Wadsworth (1807-1882). The Courtship of Miles Standish, and Other Poems. Boston: Ticknor and Fields, 1858. 8 o . Contemporary brown cloth, covers blind-stamped; modern slipcase. FIRST EDITION, FIRST PRINTING. Line 3 on page 124 reads: "The revel of the treacherous wine." -- LONGFELLOW, Henry Wadsworth. Tales of a Wayside Inn. Boston: Ticknor and Fields, 1863. 8 o . Engraved frontispiece. Contemporary green cloth. FIRST EDITION. [ With ] A NOTE FROM LONGFELLOW dated Nov. 16, 1879, and an engraved plate laid in. Longfellow's note reads: "Dear Sir, Undoubtedly the ch in Petruchis should have the same sound as in child. Yours Truly Henry W. Longfellow." -- The Poetical Works of Henry Wadsworth Longfellow. London: Frederick Warne, [1880]. 8 o . Text printed within a red border, numerous engraved plates and illustrations. Contemporary red morocco gilt, edges gilt concealing a SPLIT FORE-EDGE PAINTING DEPICTING A SIOUX AND A CHEYENNE. Provenance: Sarah Summerfield (ownership signature in ink dated 1881). -- The Atlantic Souvenir, for 1859. New York: Derby & Jackson, 1859. 4 o . Numerous engraved plates. Contemporary red morocco, gilt, edges gilt concealing a DOUBLE FORE-EDGE PAINTING OF BOSTON AND PHILADELPHIA. -- LOSSING, Benson J. The Pictorial Field-Book of the Revolution. New York: Harper & Brothers, 1851. 2 volumes, 4 o . Engraved frontispieces and titles, numerous engraved illustrations. Contemporary brown morocco, decoratively gilt, edges gilt concealing fore-edge paintings of MINUTE MEN AND A BOSTON STREET SCENE. (6)
AMERICANA]. LONGFELLOW, Henry Wadsworth (1807-1882). The Courtship of Miles Standish, and Other Poems. Boston: Ticknor and Fields, 1858. 8 o . Contemporary brown cloth, covers blind-stamped; modern slipcase. FIRST EDITION, FIRST PRINTING. Line 3 on page 124 reads: "The revel of the treacherous wine." -- LONGFELLOW, Henry Wadsworth. Tales of a Wayside Inn. Boston: Ticknor and Fields, 1863. 8 o . Engraved frontispiece. Contemporary green cloth. FIRST EDITION. [ With ] A NOTE FROM LONGFELLOW dated Nov. 16, 1879, and an engraved plate laid in. Longfellow's note reads: "Dear Sir, Undoubtedly the ch in Petruchis should have the same sound as in child. Yours Truly Henry W. Longfellow." -- The Poetical Works of Henry Wadsworth Longfellow. London: Frederick Warne, [1880]. 8 o . Text printed within a red border, numerous engraved plates and illustrations. Contemporary red morocco gilt, edges gilt concealing a SPLIT FORE-EDGE PAINTING DEPICTING A SIOUX AND A CHEYENNE. Provenance: Sarah Summerfield (ownership signature in ink dated 1881). -- The Atlantic Souvenir, for 1859. New York: Derby & Jackson, 1859. 4 o . Numerous engraved plates. Contemporary red morocco, gilt, edges gilt concealing a DOUBLE FORE-EDGE PAINTING OF BOSTON AND PHILADELPHIA. -- LOSSING, Benson J. The Pictorial Field-Book of the Revolution. New York: Harper & Brothers, 1851. 2 volumes, 4 o . Engraved frontispieces and titles, numerous engraved illustrations. Contemporary brown morocco, decoratively gilt, edges gilt concealing fore-edge paintings of MINUTE MEN AND A BOSTON STREET SCENE. (6)
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