View of Ponte Nomentano. Circa 1863. Large-format, gold-toned albumen print. 25,5 x 35,7 cm (mount 47 x 64 cm). Mounted to original card (slightly soiled), photographers' stamp below the image lower right, annotated in pencil lower right corner. Giacchino Altobelli and Pompeo Molins worked together between 1861-1865 and were known for their early picturesque views of Rome. Molins' photo studio in Palazzo Negroni-Caffarelli was completely destroyed in a fire in 1893. – Some retouched spots, otherwise a fine tonal print in very good condition. Lit.: Bodo von Dewitz/Dietmar Siegert/Karin Schuller-Procopovici (eds.). Italien Sehen und Sterben. Photographien der Zeit des Risorgimento (1845 - 1870). Cologne 1994, p. 262, ill. p. 39.
View of Ponte Nomentano. Circa 1863. Large-format, gold-toned albumen print. 25,5 x 35,7 cm (mount 47 x 64 cm). Mounted to original card (slightly soiled), photographers' stamp below the image lower right, annotated in pencil lower right corner. Giacchino Altobelli and Pompeo Molins worked together between 1861-1865 and were known for their early picturesque views of Rome. Molins' photo studio in Palazzo Negroni-Caffarelli was completely destroyed in a fire in 1893. – Some retouched spots, otherwise a fine tonal print in very good condition. Lit.: Bodo von Dewitz/Dietmar Siegert/Karin Schuller-Procopovici (eds.). Italien Sehen und Sterben. Photographien der Zeit des Risorgimento (1845 - 1870). Cologne 1994, p. 262, ill. p. 39.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
