A VERY RARE LANGYAO-TYPE COPPER-RED-GLAZED DISHQianlong seal mark and of the period
The interior and exterior all under a rich even glaze firing a little paler at the centre and white in an even thin band around the slightly everted rim. 20cm (8in) diam.Footnotes清乾隆 郎窯紅釉盤
青花「大清乾隆年製」篆書款
Provenance: Bluett and Sons Ltd., London
A European private collection
來源：倫敦古董商Bluett and Sons Ltd.
歐洲私人收藏
The glaze decorating the present dish appears to be inspired by the langyao production of the Kangxi period. The term langyao (literally translating as 'lang' ware), derives its name from Lang Tingji, director of the official kilns at Jingdezhen between 1705-1712, who is credited with the revival of monochrome glazes and particularly copper-red glazes. The copper-red colour was rather challenging to regulate during the firing process as exactly the right conditions were required within the kiln to achieve rich tones. Although copper-red was used successfully in the Ming dynasty, particularly in the Xuande period, the copper-red monochrome glazes seen in the Qing dynasty became even more refined and were of an exceptionally even and vibrant tone.
Compare with a similar copper-red glazed dish, Qianlong seal mark and of the period, which was sold at Christie's New York, 23 September 2022, lot 908.
A VERY RARE LANGYAO-TYPE COPPER-RED-GLAZED DISHQianlong seal mark and of the period
The interior and exterior all under a rich even glaze firing a little paler at the centre and white in an even thin band around the slightly everted rim. 20cm (8in) diam.Footnotes清乾隆 郎窯紅釉盤
青花「大清乾隆年製」篆書款
Provenance: Bluett and Sons Ltd., London
A European private collection
來源：倫敦古董商Bluett and Sons Ltd.
歐洲私人收藏
The glaze decorating the present dish appears to be inspired by the langyao production of the Kangxi period. The term langyao (literally translating as 'lang' ware), derives its name from Lang Tingji, director of the official kilns at Jingdezhen between 1705-1712, who is credited with the revival of monochrome glazes and particularly copper-red glazes. The copper-red colour was rather challenging to regulate during the firing process as exactly the right conditions were required within the kiln to achieve rich tones. Although copper-red was used successfully in the Ming dynasty, particularly in the Xuande period, the copper-red monochrome glazes seen in the Qing dynasty became even more refined and were of an exceptionally even and vibrant tone.
Compare with a similar copper-red glazed dish, Qianlong seal mark and of the period, which was sold at Christie's New York, 23 September 2022, lot 908.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
