A rare John Galliano Linton Tweed spencer-style jacket, 'The Ludic Game' collection, Autumn-Winter, 1985-86. John Galliano 1 label, the brown wool ground woven with fine black stripe and white mohair window-pane check, the darker reverse of the fabric used for the broad, irregularly-notched lapels, with decorative wine cork pendants to the front, vented breast pocket to chest, the shoulders cut extra-wide and the sleeves extra-long, with pink and white pyjama striped brushed cotton panel to the back with striped rayon ties This is probably the show-piece worn by singer and model Lizzie Tear. After the show, she introduced Galliano to her boyfriend Jeremy Healy who was to undertake all the music for Galliano's shows from then on. The window-pane check of the Linton tweed reminded Galliano of a bird's eye view of ploughed fields, with the tufts of mohair representing the sheep's fleece caught in hedges and the striped cotton alluding to 'a vision of a country mother taking her children to school still wearing her pyjamas'. In this unisex collection, the jackets were worn with over-sized patchwork shirts, matching or contrasting angular jackets and skirts. The models were paid in clothes as there was no ready cash with which to pay them..
A rare John Galliano Linton Tweed spencer-style jacket, 'The Ludic Game' collection, Autumn-Winter, 1985-86. John Galliano 1 label, the brown wool ground woven with fine black stripe and white mohair window-pane check, the darker reverse of the fabric used for the broad, irregularly-notched lapels, with decorative wine cork pendants to the front, vented breast pocket to chest, the shoulders cut extra-wide and the sleeves extra-long, with pink and white pyjama striped brushed cotton panel to the back with striped rayon ties This is probably the show-piece worn by singer and model Lizzie Tear. After the show, she introduced Galliano to her boyfriend Jeremy Healy who was to undertake all the music for Galliano's shows from then on. The window-pane check of the Linton tweed reminded Galliano of a bird's eye view of ploughed fields, with the tufts of mohair representing the sheep's fleece caught in hedges and the striped cotton alluding to 'a vision of a country mother taking her children to school still wearing her pyjamas'. In this unisex collection, the jackets were worn with over-sized patchwork shirts, matching or contrasting angular jackets and skirts. The models were paid in clothes as there was no ready cash with which to pay them..
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
