A PORTABLE BLUE AND WHITE POTTERY QALYAN BOTTLE WITH CHINESE-INSPIRED MOTIFS Safavid Iran, 17th - 18th century Of miniature flask-like shape, with flattened sides, lobed shoulders and two circular openings to the top, resting on a flat base, underglaze painted in cobalt blue and black on white ground, on the flattened sides two vignettes depicting a long-tailed bird perching on a rock with one foot in the air, a natural scene of trees and vegetation around him, with tufts of grass and displays of blossomed flowers, the central opening bordered by four simplified palmette motifs, the base with reed-like stems imitating Chinese porcelain marks, 10cm high. The shape and design of this qalyan bottle speak of two particular influences: the shape is thought to possibly derive from European silverware, resembling flasks and tea-caddies (O. Watson, Ceramics from Islamic Lands, 2004, p. 469); the design, instead, presents clear analogies and influences from the blue and white porcelain wares from China, lavish commodities in high demand at the time. Tobacco was introduced to Iran in the early 17th century and quickly became commonplace in Iranian society, not only being imported and consumed but also cultivated locally. For another similar example, please see the Victoria and Albert Museum collection (acc. no. 1129-1883).
A PORTABLE BLUE AND WHITE POTTERY QALYAN BOTTLE WITH CHINESE-INSPIRED MOTIFS Safavid Iran, 17th - 18th century Of miniature flask-like shape, with flattened sides, lobed shoulders and two circular openings to the top, resting on a flat base, underglaze painted in cobalt blue and black on white ground, on the flattened sides two vignettes depicting a long-tailed bird perching on a rock with one foot in the air, a natural scene of trees and vegetation around him, with tufts of grass and displays of blossomed flowers, the central opening bordered by four simplified palmette motifs, the base with reed-like stems imitating Chinese porcelain marks, 10cm high. The shape and design of this qalyan bottle speak of two particular influences: the shape is thought to possibly derive from European silverware, resembling flasks and tea-caddies (O. Watson, Ceramics from Islamic Lands, 2004, p. 469); the design, instead, presents clear analogies and influences from the blue and white porcelain wares from China, lavish commodities in high demand at the time. Tobacco was introduced to Iran in the early 17th century and quickly became commonplace in Iranian society, not only being imported and consumed but also cultivated locally. For another similar example, please see the Victoria and Albert Museum collection (acc. no. 1129-1883).
.jpg "Quelle: Christie's")
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
