A French gilt-metal and marble early electric skeleton clock Paul Garnier, France, No. 168; circa 1850 The white enamel Roman annular dial signed Paul Garnier Hger. de la Marine with fine blued steel moon hands and counterpoised sweep centre seconds, the movement with pierced brass plates with three back-pinned pillars, signed on the backplate Paul Garnier Paris 168 and housing the twin coils, the pendulum suspended on the front plate with black painted wood-rod and massive gilt-brass bob numbered 168 , the single detent arm lifting a make-break spring operating the 'scape wheel with ratchet click, the movement suspended on twin scroll brackets and on large gilt-brass columns supported on a verde antico moulded base with battery wire terminals to the left side; with glass dome 24¼ ins. 62 cm. high (over dome) (2)
A French gilt-metal and marble early electric skeleton clock Paul Garnier, France, No. 168; circa 1850 The white enamel Roman annular dial signed Paul Garnier Hger. de la Marine with fine blued steel moon hands and counterpoised sweep centre seconds, the movement with pierced brass plates with three back-pinned pillars, signed on the backplate Paul Garnier Paris 168 and housing the twin coils, the pendulum suspended on the front plate with black painted wood-rod and massive gilt-brass bob numbered 168 , the single detent arm lifting a make-break spring operating the 'scape wheel with ratchet click, the movement suspended on twin scroll brackets and on large gilt-brass columns supported on a verde antico moulded base with battery wire terminals to the left side; with glass dome 24¼ ins. 62 cm. high (over dome) (2)
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