A BRUSSELS HISTORICAL TAPESTRY DEPICTING ‘DIO’S ENTRY IN SYRACUSE’ FROM THE SERIES ‘LES HOMMES ILLUSTRES D’APRES PLUTARCHE
WOVEN BY URBANUS AND DANIEL IV LEYNIERS AND HENRY II REYDAMS, AFTER DESIGNS BY VICTOR JANSSENS AND AUGUSTIN COPPENS CIRCA 1729-1745
A BRUSSELS HISTORICAL TAPESTRY DEPICTING ‘DIO’S ENTRY IN SYRACUSE’ FROM THE SERIES ‘LES HOMMES ILLUSTRES D’APRES PLUTARCHE’ Woven by Urbanus and Daniel IV Leyniers and Henry II Reydams, after designs by Victor Janssens and Augustin Coppens circa 1729-1745 Woven in silks and wools, depicting Dio in a horse-drawn chariot and his troops entering the conquered Syracuse, within a simulated picture frame border 12 ft. 5 in. x 17 ft. 8 ½ in. (378 x 540 cm.)
A BRUSSELS HISTORICAL TAPESTRY DEPICTING ‘DIO’S ENTRY IN SYRACUSE’ FROM THE SERIES ‘LES HOMMES ILLUSTRES D’APRES PLUTARCHE
WOVEN BY URBANUS AND DANIEL IV LEYNIERS AND HENRY II REYDAMS, AFTER DESIGNS BY VICTOR JANSSENS AND AUGUSTIN COPPENS CIRCA 1729-1745
A BRUSSELS HISTORICAL TAPESTRY DEPICTING ‘DIO’S ENTRY IN SYRACUSE’ FROM THE SERIES ‘LES HOMMES ILLUSTRES D’APRES PLUTARCHE’ Woven by Urbanus and Daniel IV Leyniers and Henry II Reydams, after designs by Victor Janssens and Augustin Coppens circa 1729-1745 Woven in silks and wools, depicting Dio in a horse-drawn chariot and his troops entering the conquered Syracuse, within a simulated picture frame border 12 ft. 5 in. x 17 ft. 8 ½ in. (378 x 540 cm.)
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