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Andy Warhol Six works: (i) Alfred Siu; (ii) Interior; (iii) Street Scene (Bus); (iv) Wooded Park; (v) Temple Entrance; (vi) Street Scene with People and Bicycles 六件作品: (i)《蕭永豐》、(ii)《室內》、(iii)《街景 (巴士)》、(iv)《樹木公園》、(v)《寺廟入口》、(vi)《街景: 人與單車》 1982 Each with blindstamp credit in the margin. Initialled ‘T.J.H.’ by Timothy J. Hunt of the Andy Warhol Foundation in pencil, estate copyright credit reproduction limitation and date stamps on the verso. Six gelatin silver prints Each image: 20.3 x 25.4 cm. (7 7/8 x 10 in.) or the reverse. Each accompanied by a Certificate of Authenticity signed in ink by the Andy Warhol Foundation for the Visual Arts, Inc.
Provenance The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner Exhibited (ii), (v), (vi): Woodstock, Blenheim Palace, Ai Weiwei at Blenheim Palace, 1 October 2014 – 26 April 2015 Literature Nicholas Chambers, Michael Frahm and Tony Godfrey, eds., Warhol in China, Germany, 2014, (i) pp. 244, 305; (ii) pp. 99, 300; (iii) pp. 219, 304; (iv) pp. 170-171, 302; (v) pp. 160, 302; (vi) pp. 232, 304 (illustrated) Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works