Jeff Koons Stay in Tonight 1986 Oil based ink on canvas. 69 x 48 in. (175.3 x 121.9 cm). This work is from an edition of two plus one artist’s proof and is accompanied by a certificate of authenticity.
Provenance Private Collection Exhibited Chicago, Museum of Contemporary Art, Jeff Koons May 31 - September 21, 2008 (another example exhibited) Literature J. Koons and R. Rosenblum, The Jeff Koons Handbook, London, 1992, pp. 73, 158 (illustrated); J.C. Ammann, "Der Fall Jeff Koons/Jeff Koons: Case Study," Parkett, no. 19, March 1989, p. 61 Catalogue Essay In the liquor advertisements, the purpose was not so much to direct the viewer as to define social class structure. For example, the Frangelico ads define a $45,000 and up income, and are more concerned with being lost in one’s own thought patterns. The public is being deceived in these advertisements on different levels of thought, because they are educated in abstraction and luxury on different levels of income. Jeff Koons in J. Koons and R. Rosenblum, The Jeff Koons Handbook, London, 1992, p. 72 Read More
Jeff Koons Stay in Tonight 1986 Oil based ink on canvas. 69 x 48 in. (175.3 x 121.9 cm). This work is from an edition of two plus one artist’s proof and is accompanied by a certificate of authenticity.
Provenance Private Collection Exhibited Chicago, Museum of Contemporary Art, Jeff Koons May 31 - September 21, 2008 (another example exhibited) Literature J. Koons and R. Rosenblum, The Jeff Koons Handbook, London, 1992, pp. 73, 158 (illustrated); J.C. Ammann, "Der Fall Jeff Koons/Jeff Koons: Case Study," Parkett, no. 19, March 1989, p. 61 Catalogue Essay In the liquor advertisements, the purpose was not so much to direct the viewer as to define social class structure. For example, the Frangelico ads define a $45,000 and up income, and are more concerned with being lost in one’s own thought patterns. The public is being deceived in these advertisements on different levels of thought, because they are educated in abstraction and luxury on different levels of income. Jeff Koons in J. Koons and R. Rosenblum, The Jeff Koons Handbook, London, 1992, p. 72 Read More
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