Details
HENRI CARTIER–BRESSON (1908–2004)
Behind the Gare St. Lazare, Paris 1932
gelatin silver print, printed later
signed in ink (margin)
image: 14 x 9 1/2 in. (35.5 x 24.1 cm.)
sheet: 15 5/8 x 11 5/8 in. (39.6 x 29.5 cm.)
Provenance
Helen Wright, The Atelier Group, New York;
acquired from the above by the present owner, 1990.Literature
Henri Cartier-Bresson, Images à la Sauvette, Verve, Paris, 1952, pl. 26.
Yves Bonnefoy, Henri Cartier-Bresson Photographer, Delpire, Paris, 1979, p. 14.
Peter Galassi, Henri Cartier-Bresson The Early Work, The Museum of Modern Art, New York, 1987, p. 101.
Jean–Pierre Montier, Henri Cartier–Bresson and the Artless Art, Bulfinch/Little, Brown and Company, Boston, New York, London, 1999, pl. 89, p. 96.
Henri Cartier-Bresson, De qui s'agit-il?, Bibliothèque nationale de France/Gallimard, Paris, 2003, p. 59.
Michel Frizot et al., Le scrapbook d'Henri Cartier-Bresson, Steidl, Göttingen, 2006, pl. 20.
Peter Galassi, Henri Cartier-Bresson The Modern Century, The Museum of Modern Art, New York, 2010, p. 81.
Details
HENRI CARTIER–BRESSON (1908–2004)
Behind the Gare St. Lazare, Paris 1932
gelatin silver print, printed later
signed in ink (margin)
image: 14 x 9 1/2 in. (35.5 x 24.1 cm.)
sheet: 15 5/8 x 11 5/8 in. (39.6 x 29.5 cm.)
Provenance
Helen Wright, The Atelier Group, New York;
acquired from the above by the present owner, 1990.Literature
Henri Cartier-Bresson, Images à la Sauvette, Verve, Paris, 1952, pl. 26.
Yves Bonnefoy, Henri Cartier-Bresson Photographer, Delpire, Paris, 1979, p. 14.
Peter Galassi, Henri Cartier-Bresson The Early Work, The Museum of Modern Art, New York, 1987, p. 101.
Jean–Pierre Montier, Henri Cartier–Bresson and the Artless Art, Bulfinch/Little, Brown and Company, Boston, New York, London, 1999, pl. 89, p. 96.
Henri Cartier-Bresson, De qui s'agit-il?, Bibliothèque nationale de France/Gallimard, Paris, 2003, p. 59.
Michel Frizot et al., Le scrapbook d'Henri Cartier-Bresson, Steidl, Göttingen, 2006, pl. 20.
Peter Galassi, Henri Cartier-Bresson The Modern Century, The Museum of Modern Art, New York, 2010, p. 81.
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