grande peinture, technique mixte sur toile signée et datée à gauche. Inscription au dos ” Oeuvre unique et originale certifiée par l’artiste peintre “, signé Samson Nolwen, daté 12 mars 2016. Provenance : Collection privée, Beaulieu-sur-Mer. Dimensions : 200 x 250 cm ————– Rugby 2016, large mix media on canvas 200 x 250 cm, signed and dated on the left. Inscription on the back “Unique and original work certified by the painter”, signed Samson Nolwen, dated March 12, 2016. Provenance : Private collection, Beaulieu-sur-Mer, South of France. Self-taught, Nolwenn Samson works with different materials, acrylic, ink, resin and marker. Naive, trashy, angry and above all very feminine, her artistic impulses are revealed and tested on large formats. It evokes Basquiat, Keith Haring Warhol but also the best projections from street art or the cinematographic rhythms of Tarantino and Kitano, direct influences of the painter. For a decade, she has been deploying her worlds on canvas: “I have long thought that painting came naturally to me, almost innately. Strange to be able to think that my subjects, my compositions and their plastic arrangements may not be directly influenced by an experience” confides the artist Nolwenn Samson.
grande peinture, technique mixte sur toile signée et datée à gauche. Inscription au dos ” Oeuvre unique et originale certifiée par l’artiste peintre “, signé Samson Nolwen, daté 12 mars 2016. Provenance : Collection privée, Beaulieu-sur-Mer. Dimensions : 200 x 250 cm ————– Rugby 2016, large mix media on canvas 200 x 250 cm, signed and dated on the left. Inscription on the back “Unique and original work certified by the painter”, signed Samson Nolwen, dated March 12, 2016. Provenance : Private collection, Beaulieu-sur-Mer, South of France. Self-taught, Nolwenn Samson works with different materials, acrylic, ink, resin and marker. Naive, trashy, angry and above all very feminine, her artistic impulses are revealed and tested on large formats. It evokes Basquiat, Keith Haring Warhol but also the best projections from street art or the cinematographic rhythms of Tarantino and Kitano, direct influences of the painter. For a decade, she has been deploying her worlds on canvas: “I have long thought that painting came naturally to me, almost innately. Strange to be able to think that my subjects, my compositions and their plastic arrangements may not be directly influenced by an experience” confides the artist Nolwenn Samson.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
