Beschreibung:

Zhang Daqian (1899-1983)Landscape for Lin Qingni, 1967 Hanging scroll, ink on paper, inscribed by the artist with a dedication to Qingni (Lim Tsing-Ai, 1914-1974), and dated dingwei and signed Daqian, Zhang Yuan with two artist's seals Zhang Yuan zhi yin and Daqian jushi. 53 7/8 x 26 3/4in (136.8 x 68cm)Footnotes張大千 赠林清霓溪山云霭图 水墨紙本 立軸 一九六七年作 Provenance/來源: Far East Fine Arts, San Francisco, California, 15 July 1988 Tsao Jung Ying, purchased directly from the artist, 24 April 1967 加州舊金山遠東藝術畫廊，1988年7月15日 曹仲英直接得自畫家，1967年2月24日 Published/出版: Johnson, Mark Dean and Fan Jeremy Zhang, Chang Da-chien Painting from Heart to Hand, Asian Art Museum of San Francisco, 2019 Johnson, Mark Dean and Fan Jeremy Zhang, 《得心應手：張大千繪畫展》，亞洲藝術博物館，舊金山，2019年 Shu Jianhua and Xu Xinru. 120 Moments of Chang Dai-chien in California: Archives and Artworks, Silicon Valley Art Center, 2019, p.48 舒建華、徐心如，《張大千加州歲月：文献與作品》，硅谷亞洲藝術中心，2019，頁48 Teisuke Toda and Hiromitsu Ogawa comp. Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-169, p.216 戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-169，頁216 Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Academy of Arts, 2007, pp.570-571 Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁570-571 Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the Thunder and the Rain: Chinese Paintings from the Opium War Through the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Ventures, in association with the Asian Art Museum-Chong-Moon Lee Center for Asian Art and Culture, 2000, p.237 Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁237 Johnson, Mark and Ba Tong. Chang Dai-chien in California, San Francisco State University, San Francisco, 1999, p.102 Johnson, Mark and Ba Tong，《張大千在加州》，舊金山州立大學，舊金山，1999年，頁102 Exhibited/展覽: Chang Dai-Chien Painting from Heart to Hand, Asian Art Museum of San Francisco, November 26 2019 – March 16, 2020 《得心應手：張大千繪畫展》，亞洲藝術博物館，舊金山，2019年11月26日-2020年3月16日 Wondrous Ink, Kalamazoo Institute of the Arts, Kalamazoo, MI, August 28-December 5, 2010 《水墨神韻》，卡拉馬祖藝術學院，卡拉馬祖，密歇根州，2010年8月28日至12月5日 New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu, Hawaii, August 30-October 28, 2007 《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年8月30日至10月28日 Between the Thunder and the Rain, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California, October 25, 2000-January 14, 2001 《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日 By January 1967, Zhang Daqian was firmly ensconced as an international star, with his fame continuing to ascend. Four years earlier in Paris, one of his Ink Lotus compositions sold for $60,000, at the time the highest price ever paid for a contemporary Chinese artist, drawing international headlines. Residing primarily in Brazil at the time, he was returning to California, with plans for a major exhibition of his work at the Stanford Museum at Stanford University opening on July 22. And on August 29th, the Laky Gallery in Carmel, California, would open the artist's first of several selling exhibitions of his paintings billing him as "the foremost Chinese painter of Modern Times". During his April sojourn to San Francisco, the artist and his impressive entourage would visit the De Young Museum in Golden Gate Park, and see old friends and artist acquaintances. It was at this time that the artist created Landscape for Lin Qingni. Lin Qingni (Lim Tsing-Ai, 1914-1974) was a Guangzhou native who settled in San Francisco and opened the Chinese Art Gallery in San Francisco's Chinatown in 1965. Unfortunately, by the time of Zhang Daqian's visit in April 1967, Lin Qingni's gallery was struggling financiall