Showa era (1926-1989), circa 1930-1968 Comprising three oban tate-e prints, an oban yoko-e print and a vertical wood block print; Raicho (Snow Grouse), dated 1930, and Mimizuku (Eagle Owl), dated 1968, both signed in pencil Toshi Yoshida; Kasuga sando (Way to the Kasuga Shrine), dated 1938, and Shoro (In a Temple Yard), from the series Sakura hachi dai (Eight Scenes of Cherry Blossom), dated 1935, both signed Hiroshi Yoshida; Les Jades "Chinoise" (Jade Lady, Chinese), circa 1940, printed by Fujii Shunosuke, signed in pencil Paul Jacoulet boat seal, with edition number 28/150 on verso (5) 10 3/4 x 16in (27.2 x 40.5cm) 15 7/8 x 11in (40.5 x 28cm) 15 7/8 x 10 5/8in (40.4 x 27.2cm) 15 7/8 x 10 5/8in (40.4 x 27.2cm) 17 5/8 x 14in (45 x 35.7cm)
Showa era (1926-1989), circa 1930-1968 Comprising three oban tate-e prints, an oban yoko-e print and a vertical wood block print; Raicho (Snow Grouse), dated 1930, and Mimizuku (Eagle Owl), dated 1968, both signed in pencil Toshi Yoshida; Kasuga sando (Way to the Kasuga Shrine), dated 1938, and Shoro (In a Temple Yard), from the series Sakura hachi dai (Eight Scenes of Cherry Blossom), dated 1935, both signed Hiroshi Yoshida; Les Jades "Chinoise" (Jade Lady, Chinese), circa 1940, printed by Fujii Shunosuke, signed in pencil Paul Jacoulet boat seal, with edition number 28/150 on verso (5) 10 3/4 x 16in (27.2 x 40.5cm) 15 7/8 x 11in (40.5 x 28cm) 15 7/8 x 10 5/8in (40.4 x 27.2cm) 15 7/8 x 10 5/8in (40.4 x 27.2cm) 17 5/8 x 14in (45 x 35.7cm)
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