William Eggleston Untitled (Side of brown stone wall, Arizona) 2000 Pigment print, printed 2009. 16 1/2 x 25 in. (41.9 x 63.5 cm) Signed in ink in the margin; numbered 5/7 in an unidentified hand in ink, '21 Century' credit and Eggleston Artistic Trust copyright credit reproduction limitation stamps on the verso.
Provenance Cheim & Read, New York Artist Bio William Eggleston American • 1939 William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s. At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography. View More Works
William Eggleston Untitled (Side of brown stone wall, Arizona) 2000 Pigment print, printed 2009. 16 1/2 x 25 in. (41.9 x 63.5 cm) Signed in ink in the margin; numbered 5/7 in an unidentified hand in ink, '21 Century' credit and Eggleston Artistic Trust copyright credit reproduction limitation stamps on the verso.
Provenance Cheim & Read, New York Artist Bio William Eggleston American • 1939 William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s. At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography. View More Works
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