Beschreibung:

Ward (William, 1766-1826) Christ in the Garden, after Correggio, plate 26 from the series 'Gems of Art', lettered state, mezzotint and etching, a rich velvet-like impression, on wove paper without watermark, plate mark 215 x 215 mm. (8 1/2 x 8 1/2 in), sheet 445 x 310 mm. (17 1/2 x 12 1/4 in), minor surface dirt and spotting, unframed, published by Cooke, 1825; together with Ward's Daniel in the Lion's Den, after Rubens, mezzotint, on thick cream laid paper, without watermark, trimmed to image, sheet 480 x 610 mm. (18 7/8 x 24 in), some nicks and tears and curling to lower edge, several light handling creases, published by Thomas Simpson circa 1789 § Turner (Charles, 1774-1857) Rembrandt's Mill, and Maecenas' Villa, Tivoli, two works, the first after Rembrandt, the latter Richard Wilson both from 'Gems of Art', mezzotints, on wove paper, one with Whatman watermark and dated '1820', each plate mark approx. 175 x 200 mm. (6 7/8 x 7 7/8 in), both with wide margins, minor spotting and browning, 1823 § Reynolds I (Samuel William, 1773-1835) Georgius Quartus, portrait of George IV after a bust by Sir Francis Chantrey, mezzotint and etching, plate mark 230 x 150 mm. (9 x 5 7/8 in), sheet 435 x 290 mm. (17 1/8 x 11 1/2 in), some spotting and surface dirt, 1825; together with David Lucas's etching and mezzotint after Constable's 'Spring', and John Young's mezzotint after Zoffany's 'Flower Girl', all unframed, (7).