Utagawa Yoshitomi (fl.mid-19th c.): an oban yoko-e Yokohama-e print entitled Amerika, 1860.12, signed Kumogawa Yoshitomi ga, published Kiya Sojiro; Kobayashi Kiyochika (1847-1915): an oban tate-e, Ono no Tofu from the series Kyoiku Risshiki, 1886, publisher Matsuki Heikichi, and portrait of a Japanese family, published by Kokkeido, each signed Kiyochika; Adachi Ginko (fl.c. 1870-1900), two oban tate-e from the series Kokin meifu-kagami (Mirror of Ancient and Modern Famous Women), c. 1887, signed Shosai Ginko; A Meiji era crepe print based on the series Hyakunin isshu designed by Utagawa Kuniyoshi, with poem by Chunagon Yakamochi; Anonymous Meiji era print on silk, now mounted as a hanging scroll, of a beauty washing her hands. 10 x 14 3/4in (25.4 x 37.5cm) dimensions of first
Utagawa Yoshitomi (fl.mid-19th c.): an oban yoko-e Yokohama-e print entitled Amerika, 1860.12, signed Kumogawa Yoshitomi ga, published Kiya Sojiro; Kobayashi Kiyochika (1847-1915): an oban tate-e, Ono no Tofu from the series Kyoiku Risshiki, 1886, publisher Matsuki Heikichi, and portrait of a Japanese family, published by Kokkeido, each signed Kiyochika; Adachi Ginko (fl.c. 1870-1900), two oban tate-e from the series Kokin meifu-kagami (Mirror of Ancient and Modern Famous Women), c. 1887, signed Shosai Ginko; A Meiji era crepe print based on the series Hyakunin isshu designed by Utagawa Kuniyoshi, with poem by Chunagon Yakamochi; Anonymous Meiji era print on silk, now mounted as a hanging scroll, of a beauty washing her hands. 10 x 14 3/4in (25.4 x 37.5cm) dimensions of first
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