Van Hanosb. 1979Second Hare 2020Oil on linen24 ¼ by 20 in. (61.6 by 50.8 cm)ProvenanceCourtesy of the artist and Chateau Shatto, Los AngelesCatalogue noteVan Hanos’s approach to painting is best defined by its stylistic freedom and forsaking of particular modes or methods. Ranging from landscape to portraiture, beyond categorization as either figuration or abstraction, his work navigates perceptual shifts and thematic rupture. Hanos explores the tremendous range of possibilities within the human mind and experience, and his paintings can be created as meticulous oil renderings of images taken from photographs, with technical precision and photographic tendencies, or as sublime, abstracted amalgamations of past observations and ruminations, replete with internal references to other paintings or past subjects, and layered with meaning. Hanos’s work always beckons the viewer to look closer — as what one first experiences is undoubtedly bound to shift upon continued investigation. Van Hanos (born 1979) currently lives and works in Marfa, Texas. He has a MFA from Maryland Institute College of Art, Baltimore, MD, USA (2001), and an MFA from the School of the Arts at Columbia University, New York, NY, USA (2010). Recent solo exhibitions include Interiors at Château Shatto, Los Angeles, CA, USA (2020); Mommy’s Boy at Cleopatra’s, New York, NY, USA (2017); Late American Paintings at Château Shatto, Los Angeles, CA, USA (2017); Awake At The Funeral at Tanya Leighton, Berlin, Germany (2017); Van Hanos at Parapet Real Humans, St. Louis, MO, USA (2017); Intercalaris at Rowhouse Project, Baltimore, MD, USA (2016); and Van Hanos at West Street Gallery, New York, NY, USA (2011). Selected group exhibitions include A Cloth Over a Birdcage at Château Shatto, Los Angeles, CA, USA (2019); The Land That I Live In at Matthew Brown, Los Angeles, CA, USA (2019); Pine Barrens at Tanya Bonakdar, New York, NY, USA (2018); An Uncanny Likeness at Simon Lee Gallery, New York, NY, USA (2017); The Lazy Sunbathers at Sies + Höke, Düsseldorf, Germany (2015); The Ninth Season of The Artist’s Institute with Carolee Schneemann at The Artist’s Institute, New York, NY, USA (2015); and Call and Response at Gavin Brown’s Enterprise, New York, NY, USA (2015). Paintings by Hanos were featured in the group exhibition, The Rest, at Lisson Gallery New York from January – February 2019, and his work was the subject of a solo presentation at Lisson Gallery in East Hampton in August 2020. His work is included in the permanent collection of the Institute of Contemporary Art, Miami.
Van Hanosb. 1979Second Hare 2020Oil on linen24 ¼ by 20 in. (61.6 by 50.8 cm)ProvenanceCourtesy of the artist and Chateau Shatto, Los AngelesCatalogue noteVan Hanos’s approach to painting is best defined by its stylistic freedom and forsaking of particular modes or methods. Ranging from landscape to portraiture, beyond categorization as either figuration or abstraction, his work navigates perceptual shifts and thematic rupture. Hanos explores the tremendous range of possibilities within the human mind and experience, and his paintings can be created as meticulous oil renderings of images taken from photographs, with technical precision and photographic tendencies, or as sublime, abstracted amalgamations of past observations and ruminations, replete with internal references to other paintings or past subjects, and layered with meaning. Hanos’s work always beckons the viewer to look closer — as what one first experiences is undoubtedly bound to shift upon continued investigation. Van Hanos (born 1979) currently lives and works in Marfa, Texas. He has a MFA from Maryland Institute College of Art, Baltimore, MD, USA (2001), and an MFA from the School of the Arts at Columbia University, New York, NY, USA (2010). Recent solo exhibitions include Interiors at Château Shatto, Los Angeles, CA, USA (2020); Mommy’s Boy at Cleopatra’s, New York, NY, USA (2017); Late American Paintings at Château Shatto, Los Angeles, CA, USA (2017); Awake At The Funeral at Tanya Leighton, Berlin, Germany (2017); Van Hanos at Parapet Real Humans, St. Louis, MO, USA (2017); Intercalaris at Rowhouse Project, Baltimore, MD, USA (2016); and Van Hanos at West Street Gallery, New York, NY, USA (2011). Selected group exhibitions include A Cloth Over a Birdcage at Château Shatto, Los Angeles, CA, USA (2019); The Land That I Live In at Matthew Brown, Los Angeles, CA, USA (2019); Pine Barrens at Tanya Bonakdar, New York, NY, USA (2018); An Uncanny Likeness at Simon Lee Gallery, New York, NY, USA (2017); The Lazy Sunbathers at Sies + Höke, Düsseldorf, Germany (2015); The Ninth Season of The Artist’s Institute with Carolee Schneemann at The Artist’s Institute, New York, NY, USA (2015); and Call and Response at Gavin Brown’s Enterprise, New York, NY, USA (2015). Paintings by Hanos were featured in the group exhibition, The Rest, at Lisson Gallery New York from January – February 2019, and his work was the subject of a solo presentation at Lisson Gallery in East Hampton in August 2020. His work is included in the permanent collection of the Institute of Contemporary Art, Miami.
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.jpg "Quelle: Christie's")
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