Utagawa Kuniyoshi (1797-1861) and Keisai Eisen (1790-1848) Edo period (1615-1868), 1815-1847 Comprising two oban tate-e prints; the first entitled Inori no fune (Prayer Suggesting Benkei on the Boat), from the series Shimazoroi onna Benkei (Women in Benkei-checked Fabrics), 1843-1847, published by Ibaya Kyubei, censor's seal Hama, signed Chooro Kuniyoshi ga; the second from the series Ukiyo yonjuhachi kuse (48 Mannerisms in the Floating World), 1815-1842, published by Otaya Sakichi, sencor's seal kiwame, signed Keisai Eisen ga (2) 14 1/2 x 9 5/8in (36.8 x 24.5cm) 15 1/8 x 10 3/8in (38.3 x 26.5cm)
Utagawa Kuniyoshi (1797-1861) and Keisai Eisen (1790-1848) Edo period (1615-1868), 1815-1847 Comprising two oban tate-e prints; the first entitled Inori no fune (Prayer Suggesting Benkei on the Boat), from the series Shimazoroi onna Benkei (Women in Benkei-checked Fabrics), 1843-1847, published by Ibaya Kyubei, censor's seal Hama, signed Chooro Kuniyoshi ga; the second from the series Ukiyo yonjuhachi kuse (48 Mannerisms in the Floating World), 1815-1842, published by Otaya Sakichi, sencor's seal kiwame, signed Keisai Eisen ga (2) 14 1/2 x 9 5/8in (36.8 x 24.5cm) 15 1/8 x 10 3/8in (38.3 x 26.5cm)
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