Utagawa Hiroshige I (1797-1858) Edo period (1615-1868), 1832-1853 Comprising four oban yoko-e prints; the first entitled Fukagawa Sanjusangendo (The Hall of 33 Bays in Fukagawa), censor's seals Kinugasa, Watanabe; Tsukiji Gomonzeki (Nishi Hongan-ji Temple at Tsukiji), censor's seals Mera, Watanabe; both from the series Toto meisho (Famous Places in the Eastern Capital), 1832-1838, published by Sanoya Kihei (Kikakudo); Kasumigaseki chobo (A View from Kasumigaseki), 1853, published by Yamadaya Shojiro, censor's seals Mera, Watanabe, ushi juichi; Saruwaka-machi hanjo no zu (Thriving Business in Saruwaka-machi), 1848-1849, published by Fujiokaya Keijiro, censor's seals Yoshimura, Muramatsu; both from the series Edo meisho (Famous Places in Edo); each signed Hiroshige ga (4) 10 x 14 7/8in (25.2 x 37.6cm) each approximately
Utagawa Hiroshige I (1797-1858) Edo period (1615-1868), 1832-1853 Comprising four oban yoko-e prints; the first entitled Fukagawa Sanjusangendo (The Hall of 33 Bays in Fukagawa), censor's seals Kinugasa, Watanabe; Tsukiji Gomonzeki (Nishi Hongan-ji Temple at Tsukiji), censor's seals Mera, Watanabe; both from the series Toto meisho (Famous Places in the Eastern Capital), 1832-1838, published by Sanoya Kihei (Kikakudo); Kasumigaseki chobo (A View from Kasumigaseki), 1853, published by Yamadaya Shojiro, censor's seals Mera, Watanabe, ushi juichi; Saruwaka-machi hanjo no zu (Thriving Business in Saruwaka-machi), 1848-1849, published by Fujiokaya Keijiro, censor's seals Yoshimura, Muramatsu; both from the series Edo meisho (Famous Places in Edo); each signed Hiroshige ga (4) 10 x 14 7/8in (25.2 x 37.6cm) each approximately
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