The Property of Nicole and William M. Keck II TWENTIETH CENTURY AMERICAN LITERATURE. 13 titles finely bound, comprising: 1. ALBEE, EDWARD. Who's Afraid of Virginia Woolf. New York: Athaneum, 1962. Black morocco gilt, original dust jacket bound in back. First edition. Signed on the flyleaf by actress Uta Hagen, who originated the role of Martha in the Broadway premiere. 2. LEE, HARPER, To Kill A Mockingbird. Philadelphia: J.B. Lippincott, 1960. Green morocco gilt by Zaehnsdorf for Asprey, gilt edges. First edition. 3. O'HARA, JOHN. Appointment in Samarra. New York: Harcourt, Brace, 1934. Black morocco gilt, marbled endpapers, edges gilt. First edition, with erratum slip regarding title page quotation tipped in after copyright page. 4. MICHENER, JAMES A. Hawaii. New York: Random House, 1959. Half blue morocco by Asprey, marbled endpapers, edges gilt. First edition, first printing. 5. LEWIS, SINCLAIR. Elmer Gantry. New York: Harcourt, Brace, 1927. Dark blue morocco gilt by Asprey, marbled endpapers, edges gilt. 6. LERNER, ALAN JAY. My Fair Lady. London: Max Reinhardt, 1958. 2 copies, one in publisher's cloth and pictorial dust jacket, with custom chemise and morocco clamshell box, and bookplate indicating a sale for the King George's Pension Fund for Actors and Actresses, 1958; the other in red morocco gilt by Asprey. WITH: FLANNER, JANET. An American In Paris. London, 1940. * FERBER, EDNA. Giant. Garden City, 1952. * DAVIES, VALENTINE. Miracle on 34th Street. New York, 1947. Dust jacket. * MITCHELL, MARGARET. Gone With the Wind. London, 1939. * FROST, ROBERT. Selected Poems. London, 1923. * MERTON, THOMAS. The Seven Story Mountain. New York, 1948. All in morocco gilt bindings or boxes. Light wear.
The Property of Nicole and William M. Keck II TWENTIETH CENTURY AMERICAN LITERATURE. 13 titles finely bound, comprising: 1. ALBEE, EDWARD. Who's Afraid of Virginia Woolf. New York: Athaneum, 1962. Black morocco gilt, original dust jacket bound in back. First edition. Signed on the flyleaf by actress Uta Hagen, who originated the role of Martha in the Broadway premiere. 2. LEE, HARPER, To Kill A Mockingbird. Philadelphia: J.B. Lippincott, 1960. Green morocco gilt by Zaehnsdorf for Asprey, gilt edges. First edition. 3. O'HARA, JOHN. Appointment in Samarra. New York: Harcourt, Brace, 1934. Black morocco gilt, marbled endpapers, edges gilt. First edition, with erratum slip regarding title page quotation tipped in after copyright page. 4. MICHENER, JAMES A. Hawaii. New York: Random House, 1959. Half blue morocco by Asprey, marbled endpapers, edges gilt. First edition, first printing. 5. LEWIS, SINCLAIR. Elmer Gantry. New York: Harcourt, Brace, 1927. Dark blue morocco gilt by Asprey, marbled endpapers, edges gilt. 6. LERNER, ALAN JAY. My Fair Lady. London: Max Reinhardt, 1958. 2 copies, one in publisher's cloth and pictorial dust jacket, with custom chemise and morocco clamshell box, and bookplate indicating a sale for the King George's Pension Fund for Actors and Actresses, 1958; the other in red morocco gilt by Asprey. WITH: FLANNER, JANET. An American In Paris. London, 1940. * FERBER, EDNA. Giant. Garden City, 1952. * DAVIES, VALENTINE. Miracle on 34th Street. New York, 1947. Dust jacket. * MITCHELL, MARGARET. Gone With the Wind. London, 1939. * FROST, ROBERT. Selected Poems. London, 1923. * MERTON, THOMAS. The Seven Story Mountain. New York, 1948. All in morocco gilt bindings or boxes. Light wear.
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