Triomphi Sonetti Canzone Stantie et laude de Dio & de la gloriosa Vergine Maria: Composta da diuersi Autori . Venice: Niccolò Zoppino and Vincenzo di Paolo, 15 November 1518. 8° (152 x 105mm). Woodcut on title and on title verso, 11 smaller cuts in the text. (Two small marginal holes in final leaf, a tiny stain in a few leaves.) Modern red roan-backed boards. A rare edition; Essling and Sander cite only the 1517 and 1524 editions of this work by the same printers, which are illustrated by all but one of the same woodcuts. The woodcut on the verso of the present edition is of the pietà, which Essling cites as appearing in the Zoppino-Paolo edition of Herp in 1522. Not in Essling, Sander, BLSTC Italian , Brunet, etc.
Triomphi Sonetti Canzone Stantie et laude de Dio & de la gloriosa Vergine Maria: Composta da diuersi Autori . Venice: Niccolò Zoppino and Vincenzo di Paolo, 15 November 1518. 8° (152 x 105mm). Woodcut on title and on title verso, 11 smaller cuts in the text. (Two small marginal holes in final leaf, a tiny stain in a few leaves.) Modern red roan-backed boards. A rare edition; Essling and Sander cite only the 1517 and 1524 editions of this work by the same printers, which are illustrated by all but one of the same woodcuts. The woodcut on the verso of the present edition is of the pietà, which Essling cites as appearing in the Zoppino-Paolo edition of Herp in 1522. Not in Essling, Sander, BLSTC Italian , Brunet, etc.
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.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
