Dido and Aeneas, An Opera Perform'd at Mr Josias Priest's Boarding-School at Chelsey by Young Gentlewomen, the Words by Mr Nahum Tate, the Musick Composed by Mr Henry Purcell, [cover-title], Bangor, Maine & Newark, Vermont: the Janus Press & the Theodore Press, 1989, multi-coloured card folded concertina style, forming covers and base for text, each opening with text on layered shaped leaves sewn in, some moveable parts, 37 x 16.5cm (14.5 x 6.5ins), together with compact disc recording contained in paper pouch, housed together in black cloth solander box with printed spine label, together with Aunt Sallie's Lament, by Claire van Vliet Chronicle Books, San Francisco, 1993, shaped book with design based on quilting Limited edition, 43/150 copies, signed by Claire Van Vliet 'The book can be stood in a line or in a star-circle'. It was published on the 300th anniversary of the only previous printing of Tate's libretto, an eight-page pamphlet distributed to the audience of the first performance, which celebrated the coming of William and Mary to the throne in April 1689. (2)
Dido and Aeneas, An Opera Perform'd at Mr Josias Priest's Boarding-School at Chelsey by Young Gentlewomen, the Words by Mr Nahum Tate, the Musick Composed by Mr Henry Purcell, [cover-title], Bangor, Maine & Newark, Vermont: the Janus Press & the Theodore Press, 1989, multi-coloured card folded concertina style, forming covers and base for text, each opening with text on layered shaped leaves sewn in, some moveable parts, 37 x 16.5cm (14.5 x 6.5ins), together with compact disc recording contained in paper pouch, housed together in black cloth solander box with printed spine label, together with Aunt Sallie's Lament, by Claire van Vliet Chronicle Books, San Francisco, 1993, shaped book with design based on quilting Limited edition, 43/150 copies, signed by Claire Van Vliet 'The book can be stood in a line or in a star-circle'. It was published on the 300th anniversary of the only previous printing of Tate's libretto, an eight-page pamphlet distributed to the audience of the first performance, which celebrated the coming of William and Mary to the throne in April 1689. (2)
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