Terence Koh The Camel was God, the Camel was Shot 2007 Cast of artist’s body, bronze and white patina. 22 x 179 x 55 cm. (8 5/8 x 70 1/2 x 21 5/8 in). This work is from an edition of five plus two artist’s proofs.
Provenance Private collection, Belgium Exhibited First Athens Biennial 2007, Destroy Athens, 10 September – 18 November, 2007 Catalogue Essay Koh’s description indicates both the diversity of his art and the queer, punk, and pornographic sensibilities that inform his creations. He reappropriates images from the Internet, magazines, and other artists in the service of a personal exploration that is by turn innocently sweet and rugged… The significance of each object he creates or appropriates is tied to both private narratives and a wider set of subcultural associations. B. Sholis, Terence Koh Whitney Biennal, 2004 Read More
Terence Koh The Camel was God, the Camel was Shot 2007 Cast of artist’s body, bronze and white patina. 22 x 179 x 55 cm. (8 5/8 x 70 1/2 x 21 5/8 in). This work is from an edition of five plus two artist’s proofs.
Provenance Private collection, Belgium Exhibited First Athens Biennial 2007, Destroy Athens, 10 September – 18 November, 2007 Catalogue Essay Koh’s description indicates both the diversity of his art and the queer, punk, and pornographic sensibilities that inform his creations. He reappropriates images from the Internet, magazines, and other artists in the service of a personal exploration that is by turn innocently sweet and rugged… The significance of each object he creates or appropriates is tied to both private narratives and a wider set of subcultural associations. B. Sholis, Terence Koh Whitney Biennal, 2004 Read More
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